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The Directory of Literary Agents
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Literary Agent Directory
Important: Visit each agent’s website (links in their listings below) to see if they’re open to submissions before querying.
Biography
Carly Kellerman is a literary agent with the Alive Literary Agency. She has spent more than fifteen years helping writers find their voice and hone their message. With a professional background that spans editorial development and sales, she has a proven knack for finding the sweet spot between profoundly meaningful and commercially viable content. Her unique blend of business acumen and love for storytelling makes her an excellent advocate and guide for authors navigating the publishing world.
Before joining Alive, Carly worked at HarperCollins Christian Publishing for more than a decade. She developed several bestselling titles throughout her time at HCCP, and she strives to bring that same creative spark to each of her clients at Alive.
Carly lives with her husband Jesse and their two children in Southwest Michigan. When she’s not reading, you can find her planning her next dinner party, scheming a new travel destination, or reorganizing a closet that was probably perfectly fine to begin with.
Notes
Accepting Submissions | New Literary Agents | Christian Fiction | Christian Nonfiction | Christian Books ONLY |Inspirational Fiction | Religious Fiction |Inspirational Nonfiction | Mind Body Spirit | Religion | Spirituality |
Biography
Jennie Kendrick is a literary agent with Red Fox Literary. She represents YA, MG and select picture books with Red Fox Literary. A former criminal defense attorney and history major, she has worked in the publishing industry since 2013, including reviewing for publications such as Kirkus, and part-time bookselling at a local independent bookstore. Jennie’s passions include history (especially medieval European history), the criminal justice system, art, tarot, rock music, and cooking. She loves well-researched character-driven fiction, narrative non-fiction, and is particularly looking for Own Voices works and books from marginalized creators. Jennie is always looking for a phenomenal ghost or vampire story, regardless of children’s age group.
Notes
CLOSED to Submissions |Picture Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Action Adventure | Commercial Fiction | Graphic Novel | Historical Fiction | Horror | LGBTQ Fiction | Literary Fiction | Mystery | Romance | Thriller |Biography | History | Journalism | LGBTQ Nonfiction | Memoir | Pop Culture | Science | Sports |
Julia Kenny
Dunow, Carlson & Lerner Literary AgencyAccepting SubmissionsQuery Method(s): Email > Postal Mail >Biography
Julia Kenny is a literary agent with the Dunow, Carlson & Lerner Literary Agency. She began her career in publishing as an intern at the Wendy Weil Agency, while studying creative writing at Sarah Lawrence College. For nearly 10 years, she worked as the director of foreign rights and as an agent at Markson Thoma. She primarily works with fiction—adult, middle grade and YA—and is especially interested in dark, literary thrillers and suspense. She’s also interested in narrative non-fiction, memoir, and lifestyle and entertaining projects. She is on the lookout for writing that immediately draws her in, and stories that stick with her long after she’s finished reading. She was born and raised on Nantucket Island and lives in Brooklyn.
Notes
Accepting Submissions |General Fiction | Literary Fiction | Suspense Fiction | Thriller |General Nonfiction | Art | Memoir | Photography |
Biography
Fiona Kenshole is a literary agent with the Transatlantic Agency. She came to agenting after nearly a decade as VP at Laika Studios, creating a development slate of new projects for the Academy Award winning animation studio including the Oscar-nominated THE BOXTROLLS and CORALINE.
Previously she was a senior publisher in the UK where she published authors including Michael Bond (Paddington Bear), P.L Travers (Mary Poppins) and the Laureate Michael Morpurgo (War Horse) and was UK editor for Beverley Cleary, Lois Lowry, Bruce Coville, Gary Paulsen and Cynthia Voigt. She was nominated for “Editor of the Year” at the British Book Awards.
Fiona enjoys being on faculty as a conference guest speaker throughout the US and in Europe. She has taught publishing at Oxford Brookes University and Portland State, organized events for the Oxford Literary Festival and is herself a published author. A British citizen, Fiona now lives in Portland, Oregon.
She joined Transatlantic in 2013. Her clients’ recent successes include Rosanne Parry’s MG A WOLF CALLED WANDER (Andersen Press/Greenwillow) which has spent 37 weeks in the NYT bestseller list and sold in 11 languages, and Vicki Grant’s YA romcom, 36 QUESTIONS THAT CHANGED MY MIND ABOUT YOU (Running Press), which sold in 22 languages and is optioned for TV.
Notes
CLOSED to Submissions |Picture Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Graphic Novel |Animals |
Biography
Rachel Kent is a literary agent with Books & Such Literary Agency. Rachel Kent has been an agent with Books & Such since 2007. Rachel started at Books & Such as a summer intern while she was attending U.C. Davis and then, after graduating, worked part-time at the agency as an assistant. Her favorite part of the job was reading a manuscript and providing an author with feedback to help him or her to improve the project.
She graduated from Davis in three years with a bachelor’s degree in English and minors in both religious studies and psychology.
Rachel has more than eight years of experience and training working closely with Janet Kobobel Grant and Wendy Lawton, as well as part-time with author Robin Jones Gunn in creating marketing materials and promotional ideas to keep Robin connected with her readers. Through Rachel’s work at the agency and with authors, she has gained an understanding of the publishing process, contract negotiation, and what it takes to successfully write and market a book.
Rachel’s goal is to develop strong relationships with her authors and to help them to develop lasting relationships with their editors and publishers. Good relationships have always been important to her. She likes to stick by people. She believes that as long as two people are dedicated toward working together, the relationship can work, and they can accomplish the task at hand.
Rachel acquires fiction and nonfiction projects with a special interest in YA, 20-something and 30-something projects.
She lives with her husband and family in Northern California.
Notes
Accepting Submissions |Picture Book | Juvenile Nonfiction | Middle Grade Fiction | Young Adult Fiction | Young Adult Nonfiction |Christian Fiction | Christian Nonfiction |Commercial Fiction | Contemporary Fiction | Fantasy | General Fiction | Inspirational Fiction | Romance | Science Fiction | Women’s Fiction |General Nonfiction | Religion | Spirituality |
Biography
Chris Kepner is a literary agent with and the founder of The Kepner Agency. He says: “I’ve been working in the publishing industry since 2008, both as a literary agent and director of international rights. I have negotiated hundreds of book licenses all over the world, and I couldn’t be more excited about establishing this agency. Discovering authors is my passion, and building a new list is an absolute thrill.
If you’re an author seeking representation, please review my query guidelines.
I live with my amazing wife and daughter in New Jersey, a half-hour west of Manhattan. I’m originally from the lovely Buffalo area and still visit family and friends there at least twice a year. I studied English and business at Notre Dame, and I never thought I’d find a profession that so perfectly utilizes these two disciplines. I’m a lifelong Buffalo Bills fan. I’ve been in love with music and skiing for as long as I can remember, and I try to get out on the golf course or ropes course whenever I can. By the way, if anyone knows where you can ride devil karts in the U.S., let me know! I did this once at Bromley Mountain in Vermont, but they’ve since shut it down for what I can only assume were insane liability considerations.
Our lives may seem meaningless when you take a broad space-time perspective, but this world we all share… it’s pretty special. Let’s cherish it, and one another, while we can.
Be at ease. Be confident in who you are. Be mindful that everyone else is their own universe of thought and feeling, and be forgiving.”
Notes
Accepting Submissions |Juvenile Nonfiction | BIPOC Fiction | Crime Fiction | Fantasy | General Fiction | Multicultural Fiction | Mystery | Romance | Science Fiction | Sports Fiction | Suspense Fiction | Thriller |General Nonfiction | Biography | BIPOC Nonfiction | Business Book | Computers | Cookbook Cooking | Health Wellness | History | Lifestyle | Mind Body Spirit | Money Finance | Multicultural Nonfiction | Science | Sports | Technology | Travel |
Biography
Molly Ker Hawn is a literary agent with The Bent Agency. She says: “I joined the Bent Agency in 2012 and lead our London office, where I work with authors from all over the world, selling directly to publishers in the US, the UK, Canada, and Australia. I’ve bounced back and forth from America to England since I was a teenager: I grew up in Northern California, lived for a year in the West Country, read English at Cambridge University, and spent many years in New York City. I represent authors whose books have been New York Times, Sunday Times and international bestsellers and that have won and been shortlisted for the William C. Morris YA Debut Award, the Michael L. Printz Award, the Barnes & Noble Children’s Book Award, the Costa Book Award, the Waterstones Children’s Book Prize, the Carnegie Medal, the Deutscher Jugendliteraturpreis, and more.
I’m honored to have served for three years on the governing committee of the Association of Authors’ Agents and to have been named one of the Bookseller’s most influential people in the UK publishing industry.
I have a thriving list, but from time to time, I do have room for an irresistible new project when I feel I can place it successfully with a publisher and bring real value to the author’s career. Specifically, I’m looking for exceptional middle-grade and young adult fiction with global commercial appeal, as well as graphic novels for children and young adults with illustrations in place and fantasy, science fiction and speculative fiction for adults.
For children’s and YA, I’m open to any genre and almost any topic. Contemporary, historical, fantasy, science fiction, romance, horror…I’ve loved and sold books that fit all those descriptions. For adult fantasy, science fiction and speculative fiction, I’m looking for fast-paced stories that would appeal to a broad audience, set either in new worlds or one that could be our own, with vividly drawn characters.
No matter the genre or age category, the writing needs to be polished and assured; the story needs to be captivating. I like to be astonished! I’m especially drawn to stories with a strong sense of place, told by authors who fundamentally understand the world they’re writing about, whether it’s real or imaginary.
Some specific likes and dislikes:
I like wit, not snark.
I like books that play with form and narrative.
Nothing hooks me like writing that shows a real mastery of language.
I love love. Romantic love, family love, the love of friendship — authentic-feeling bonds between characters can carry me through almost any story.
I like books that make me feel changed by the end of them, like my world is bigger, and I understand it a little better.
I’m not interested in ‘misery lit.’ I don’t like to finish a book feeling hopeless about the characters.
Fantasy was my first love: Ruth Chew, Lloyd Alexander, Susan Cooper, Anne McCaffrey, and Sylvia Engdahl made me the reader I am today. But those influences mean my standards are high — I need solid worldbuilding, intelligent dialogue and real emotion in fantasy.
My taste in fantasy doesn’t run to angels/demons, vampires/werewolves, or similar ‘paranormal’ tropes.
I can’t get enough of books that tell a great story and invite me to get to know a culture I’m unfamiliar with—and I’d like the author to be an authentic representative of that culture.
I’m not a dog person. Animal protagonists in general don’t interest me, except maybe cats.
I’m interested in reading about life in religious communities.
I’m interested in books that deal with theatre and performance.
I think the publishing industry underestimates young readers’ love of weirdness.
I’m particularly interested in hearing from writers from historically excluded communities.
Please do not send me picture books. I only represent picture books for my established clients.
Please do not send me illustration samples. I don’t represent illustrators who don’t write their own texts.
Notes
CLOSED to Submissions | Member of the AALA |Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Fantasy | Graphic Novel | Magical Realism | Science Fiction | Speculative Fiction |
Biography
Natasha Kern is a literary agent with the Natasha Kern Literary Agency. She has personally sold over 1,200 books, has worked as an agent more than 20 years and has a strong commitment to discovering new talent as well as developing the careers of her clients. Natasha has sold to all major publishers in both ABA and CBA. Her list includes: mainstream women’s fiction and inspirational fiction; romantic suspense, mysteries and thrillers; contemporary and historical novels, romantic comedy, Amish fiction, and issue-oriented fiction; young adult, multicultural fiction and other subgenres. Her clients include several New York Times best-selling authors, USA Today Best Sellers, and RITA, CAROL and EDGAR winners. She represents Christy winners and finalists as well as other popular CBA authors and ECPA bestsellers.
Natasha was named Agent of the Year at the 2013 ACFW Conference.
Natasha says: “When I left New York, I knew that I wanted to stay in publishing. However, editorial work was not sufficiently satisfying by itself. I knew I could acquire and develop salable properties and that my background gave me expertise in sales and running a company. I wanted to work with people long term and not just on a single project or phase of one. Plus, I had an entrepreneurial temperament and experience negotiating big money deals from raising venture capital for high tech firms. When I developed literary projects for other agents that did not sell, I knew I could sell them myself, so I did. I’ve never regretted that decision. Agenting combined my love of books, my affinity for deal-making and my preference for trusting my own intuition. I sold 28 books the first year the agency was in business.
“I did everything else I ever wanted to do before becoming an agent. Agenting is truly a calling for me and I would not be as happy doing anything else. It is a case of do what you love (and are good at) and the money follows. I also have a deep commitment to bringing new knowledge, new ideas and new writing into the world. I believe storytelling is powerful and a great book truly can change the world.”
Notes
CLOSED to Submissions |Young Adult Fiction |Christian Fiction |Contemporary Fiction | Crime Fiction | General Fiction | Historical Fiction | Humor Fiction | Inspirational Fiction | Mainstream Fiction | Multicultural Fiction | Mystery | Religious Fiction | Romance | Suspense Fiction | Thriller | Women’s Fiction |
Biography
Kat Kerr is a literary agent with the Donald Maass Literary Agency. She graduated from Florida State University with a Bachelors in English in 2009. Kat feels strongly about supporting programs like We Need Diverse Books and is passionate about creating space in this industry for those from historically marginalized communities.
Notes
CLOSED to Submissions |Young Adult Fiction | Chick Lit | Commercial Fiction | Contemporary Fiction | Family Saga | Fantasy | Historical Fiction | LGBTQ Fiction | Literary Fiction | Magical Realism | Multicultural Fiction | Romance | Science Fiction | Upmarket Fiction | Women’s Fiction |Biography | Cookbook Cooking | Cultural Social Issues | Current Events Affairs | Food Drink | Journalism | LGBTQ Nonfiction | Memoir | Multicultural Nonfiction | Music | Narrative Nonfiction | Pop Culture | Psychology | Women’s Issues |
Biography
Kathleen Kerr is a literary agent with the Alive Literary Agency. She believes in writers. With long experience in amplifying authors’ messages, she has the passion and expertise to come alongside writers as they hone their ideas and navigate a changing publishing landscape. She’s always on the lookout for the bold voices that are shaping conversations in today’s culture.
Before joining Alive, Kathleen served as an acquisitions editor at Zondervan and Harvest House Publishers. She worked with bestselling, debut, and award-winning authors, helping to refine their messages, build their careers, and partner in their ministries. She also worked as a bookseller at an independent bookstore, where she learned that there are few greater joys than introducing kids to the books that will shape their own stories.
Kathleen graduated from Calvin College in Grand Rapids, Michigan, with degrees in French and English. She now lives with her husband, Noah, and their two daughters in Oregon’s Willamette valley. She can usually be found reading, camping, and creating chaos in the kitchen.
Notes
Accepting Submissions | New Literary Agents |Juvenile Nonfiction | Young Adult Nonfiction |Christian Fiction | Christian Nonfiction | Christian Books ONLY |Inspirational Fiction | Religious Fiction |General Nonfiction | Cookbook Cooking | Dating Relationships Sex | Food Drink | Inspirational Nonfiction | Lifestyle | Memoir | Religion | Self-Help | Spirituality | Women’s Issues |
Biography
Molly Ketcheson is a literary agent with Wolfson Literary Agency. She holds an undergraduate degree from the University of St Andrews and an MA in Creative Writing and Publishing from City, University of London. Prior to joining WLA in 2024, Molly held prestigious internships at multiple publishing companies, where she gained a keen understanding of the international publishing landscape and a love for joyful and impactful fiction. She is actively building her list in commercial and upmarket fiction, as well as select literary fiction, fantasy, and YA titles. She is particularly drawn to books with a unique premise, lyrical prose, complex women, and stories that are, ultimately, hopeful. Molly is passionate about the power of fiction, and is excited to work with her clients to bring books that matter into the world.
Notes
Accepting Submissions | New Literary Agents |Young Adult Fiction | BIPOC Fiction | Commercial Fiction | Fantasy | General Fiction | LGBTQ Fiction | Literary Fiction | Paranormal Fiction | Romance | Science Fiction | Upmarket Fiction | Women’s Fiction |BIPOC Nonfiction | LGBTQ Nonfiction |
Biography
Emily S. Keyes is a literary agent with and the founder of Keyes Agency. She has represented many award-winning titles mainly (but not exclusively) in the realm of children’s literature. She loves finding and nurturing new talent, as well as reading and representing projects that will get readers excited to go to the bookstore. Emily is actively searching for all kinds of children’s literature, as well as select adult projects in genre fiction—so long as it’s not “serious” literature. She is searching for authors and illustrators who will be her coworker for a long career.
Previously she worked at the L. Perkins Agency as a contracts manager and associate agent. Before that, she was a Contracts Administrator at Simon & Schuster for five years. In 2008, she graduated from New York University’s Center for Publishing. Emily lives in Brooklyn but she can usually be found spending too much time on the internet. For a better idea of who she is and what she represents, follow her on Twitter and Tumblr.
Notes
CLOSED to Submissions | Member of the AALA |Picture Book | Juvenile Nonfiction | Middle Grade Fiction | Young Adult Fiction | Fantasy | Graphic Novel | Historical Fiction | Horror | Magical Realism | Multicultural Fiction | Science Fiction | Upmarket Fiction | Women’s Fiction |Humor Nonfiction | LGBTQ Nonfiction | Pop Culture | Women’s Issues |
Biography
Sarah Khalil is a literary agent with Calligraph. She represents serious nonfiction and memoir with a lens toward social, economic and environmental justice; anti-imperialist thought; pop/cultural criticism and histories; cross-cultural narratives; and writing from Caribbean, MENA, Muslim and LGBTQIA+ creators; all deeply explored by experts—academics, journalists, and those with lived experience. Radical thought, artful storytelling and propulsive narrative are the cornerstones of her taste. She is also seeking select fiction in the same space.
Prior to Calligraph’s founding, Sarah was at Kneerim & Williams for four years, developing several of the agency’s best-selling and award-winning authors alongside Jill Kneerim and Katherine Flynn. She has worked at Beacon Press and the IP law firm Sennott, Williams, & Rogers. She holds an MA in Publishing & Writing from Emerson College and a BA in English Literature with a minor in History from the American University of Beirut.
Sarah is the director of the agency’s internship program. She is on the Association of American Literary Agents’ DEI Committee and is a co-director of its Mentorship Program, which serves junior literary agents from underrepresented backgrounds. She has participated in panels on trade publishing and pitching roundtables at Harvard University, the University of Georgia’s Grady College of Journalism, the Boston Book Festival, the Gotham Writers Conference, and others.
Notes
Accepting Submissions | New Literary Agents | Member of the AALA |BIPOC Fiction | General Fiction | LGBTQ Fiction | Multicultural Fiction | Romance |General Nonfiction | Biography | BIPOC Nonfiction | Computers | Cultural Social Issues | Economics | Education | Environment | Health Wellness | History | Journalism | Law Legal | LGBTQ Nonfiction | Medical Medicine | Memoir | Multicultural Nonfiction | Narrative Nonfiction | Nature | Pop Culture | Science | Technology | Travel |
Biography
Teresa Kietlinski is a literary agent with and the founder of Bookmark Literary. In 2016, Teresa Kietlinski started an exciting new chapter in her career with the launching of BOOKMARK LITERARY an agency specializing in books for children.
Teresa brings to the table over twenty years of publishing experience, from all different areas of expertise, including marketing, publicity, public relations, book design and picture book art direction.
As an agent, Teresa has had the pleasure of launching the careers of many creatives as well as growing the careers of established clients. Her expertise lies in illustrated book development. She works closely with authors and illustrators developing manuscripts, book dummies and portfolios with strong visual narratives.
When Teresa is not wrestling pencils away from her pencil-eating dachshund, she is doodling, writing poetry or smelling wildflowers. She lives by a shimmery lake in New Jersey with her husband, daughter and a small fishing boat named Holy Mackerel.
Notes
CLOSED to Submissions |Picture Book | Chapter Book | Middle Grade Fiction | Graphic Novel |
Biography
Lori Kilkelly is a literary agent with the LK Literary Agency. In 2008, after a number of successful years in advertising and sales, Lori aspired to combine her talents in these areas with her personal passion for children’s literature. Ultimately, this led to her decision to pursue a career change, and she attended the post graduate program, ‘The Denver Publishing Institute’ at The University of Denver. Subsequently, she spent nearly a decade at boutique children’s literary agency Rodeen Literary Management, headed by Paul Rodeen—a George Nicholson protégé—and home to award-winning authors Peter Brown, Victoria Jamieson, Lauren Castillo and Ryan Higgins, among others.
During her tenure at RLM, Lori rose through the ranks, eventually representing her own clients, and assembled a list of talented, best-selling, and award-winning authors and illustrators. Having worked independently for much of her career, she also began to lay the foundation to eventually open her own shop. Then, with the full support of Rodeen Literary, she formally announced LK Literary Agency in the fall of 2018 and was joined by all of her clients in the new endeavor.
Now, with more than 100 books under contract and titles with every major trade publisher, she is dedicated to continue bringing meaningful, funny, informative, and moving children’s and young adult literature to market, created by an incredibly talented group of authors and illustrators.
Notes
Accepting Submissions | Authors and Illustrators Only | Member of the AALA |Picture Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Graphic Novel |
Biography
Karen Kilpatrick is a literary agent with the East West Literary Agency. She is passionate about helping people tell their stories and works with a select group of clients to cultivate and nurture their careers in children’s publishing. As a former VP of marketing and innovation in the toy industry, a picture book and early graphic novel author, and an attorney, Karen has a unique perspective on the publishing and entertainment space. She accepts submissions for board books, picture books, chapter books, and graphic novels. Karen is a graduate of Georgetown University and NYU School of Law.
Notes
CLOSED to Submissions | New Literary Agents |Picture Book | Chapter Book | Juvenile Nonfiction | Graphic Novel |
Biography
Charles Kim is a literary agent with the Serendipity Literary Agency. He focuses on moving forward the principles of diversity and inclusion, authentic representation, equity, and narrative change in publishing. His client list includes many thought leaders and change makers in the Asian American community, influential Gen Z voices in social media and digital communication, clinicians and therapists working to heal BIPOC and intergenerational traumas, activists bringing about change in cannabis and drug law reform, contemporary art curators and critics, writers of adult fiction and YA/children’s literature, and collectives of Black and Brown creators and speakers.
Previously, Charles served as Associate Publisher at the Museum of Modern Art in New York, where he oversaw the publication of forty titles per year and sat on institution-wide committees including the Editorial Board, Revenue Committee, Digital Strategy Committee, Online Courses Steering Committee, and Budget Working Group. He established a highly successful line of limited editions on artists such as Yoko Ono and Robert Rauschenberg, and a best-selling line of children’s books on iconic artists, such as Henri Matisse, Edgar Degas, and René Magritte, but also women artists and artists of color, such as Yayoi Kusama, Sonia Delaunay, Shahzia Sikander, and Jacob Lawrence. Before MoMA, he served as Editor in Chief and Director of Publications at the Cooper Hewitt, Smithsonian Design Museum, where he launched the Museum’s first publishing imprint. He also served as Senior Agent at the French Publishers’ Agency, an office of France’s Ministry of Culture representing twenty-five leading French publishers. He earned a BA in French and Asian Studies at Vassar College and an MA in French Literature at New York University and was a Fulbright Scholar in Lyon, France. Charles was born in Seoul, Korea and immigrated to the United States with his family at the age of seven.
Charles is a Gemini and also an identical twin, so please ask him about his four distinct personalities. In addition, he’s an avid runner, house and techno enthusiast, and K-drama binger.
Notes
CLOSED to Submissions | Member of the AALA |Picture Book | Chapter Book | Middle Grade Fiction | Young Adult Fiction | BIPOC Fiction | General Fiction | Graphic Novel | Multicultural Fiction |General Nonfiction | Art | BIPOC Nonfiction | Lifestyle | Multicultural Nonfiction | Photography | Politics |
Biography
Iwalani Kim is a literary agent with Sanford J. Greenburger Associates. She is seeking adult upmarket and literary fiction and select narrative nonfiction. In fiction, she loves coming-of-age narratives, family dramas, and stories that challenge systems of power. She gravitates toward lush prose, wry humor, irreverent characters, and a sense of yearning. In nonfiction, she is looking for literary memoir and cultural criticism. She is particularly drawn to food writing, deep dives into subcultures, and writing that complicates the idea of ‘paradise’ or explores progressive movements such as prison industrial complex (PIC) abolition. Some of her favorite authors include Jesmyn Ward, T Kira Madden, Raven Leilani, Alex Marzano-Lesnevich, and Ling Ma, and she would love to consider any manuscripts in a similar vein. She is passionate about championing the work of underrepresented authors and would especially love to work with Pacific Islander writers.
Please note: Iwalani is not the right agent for children’s books (including YA) or hard genre fiction like sci-fi and fantasy.
Iwalani joined Sanford J. Greenburger Associates in 2018 after interning at Ayesha Pande Literary, Don Congdon Associates, and Kweli Journal. She was born and raised in Honolulu, Hawai’i and graduated from Vassar College with degrees in Political Science and German Studies. As the senior assistant and foreign rights liaison to agency president Heide Lange, Iwalani has the pleasure of working with Heide’s extraordinary clients.
Notes
Accepting Submissions | New Literary Agents |BIPOC Fiction | Family Saga | Humor Fiction | Literary Fiction | Upmarket Fiction |BIPOC Nonfiction | Cultural Social Issues | Design | Food Drink | History | Memoir | Multicultural Nonfiction | Narrative Nonfiction |
Biography
Jennifer Kim joined the Dijkstra Agency in 2015. In addition to building her own list, she is the Royalties Manager for the Sandra Dijkstra Literary Agency.
Jennifer is a first generation Korean-American. She graduated from the University of California Irvine, where she received degrees in both English Literature and Spanish Literature, and spent a year studying Spanish literature at the University of Barcelona. She has also worked as a long time bookseller.
Jennifer is most interested in literary fiction, speculative fiction, and translated fiction for the adult market, unusual history, journalism, politics, and pop-culture and music history. Some of her recent favorite reads were: Some People Need Killing: A Memoir of Murder in my Country by Patricia Evangelista,The Prisoner: A Memoir By Hwang Sok Yong, translated by Sora Kim-Russell and Anton Hur, The End of August by Yu Miri, translated by Morgan Giles, Cursed Bunny by Bora Chung, translated by Anton Hur, Walking Practice by Dolki Min, translated by Victoria Caudle, and Tender is the Flesh by Agustina Bazterrica, translated by Sarah Moses. She’s fond of oral histories in any genre (think Please Kill Me: The Uncensored Oral History of Punk By Legs McNeil and Gillian McCain.)
She is particularly drawn to eccentric and unusual stories and values a distinct narrative voice and a strong sense of place. She loves literary fiction with genre elements (horror, sci-fi, or fantasy), but isn’t a great fit for high fantasy or straightforward science fiction. She’s a fit for anything described as gothic, alternative, or weird, ghost stories that explore culture and trauma, family sagas (both blood and chosen), and anything that dismantles oppressive systems (think Decolonising the Mind by Ngugi wa Thiong’o). As a third culture kid, she’s interested in stories that reflect that experience.
In general, Jennifer loves literary writing, with challenging themes, experimental plots and eccentric characters. She is excited to add writers of diversity (including, but not limited to, all ethnicity, sexual orientation, mental and physical health, and socioeconomic status) to her client list.
Please note that Jennifer is currently not taking on YA or Childrens books. She is not a great fit for romance, business books, religious or spiritual books, screenplays, high fantasy or science fiction, or self-help.
Notes
Accepting Submissions |Middle Grade Fiction | Family Saga | Historical Fiction | LGBTQ Fiction | Literary Fiction | Magical Realism | Multicultural Fiction | Short Story Collection | Upmarket Fiction |Cultural Social Issues | History | Journalism | LGBTQ Nonfiction | Multicultural Nonfiction | Music | Narrative Nonfiction | Politics | Pop Culture | Travel |
Biography
Julia Kim is an assistant agent with The Rights Factory. Julia graduated from Western University with a BA (Hons) and MA in English Literature. Her experience includes working as a freelance editor and an Assistant Editor at Dundurn Press before joining The Rights Factory in 2024.
In fiction, she is looking for literary, upmarket, and commercial. In nonfiction, she is seeking a range of topics including history, politics, current affairs, social justice, women’s issues, biography and memoir, food and lifestyle, art and culture, film and TV, and pop culture.
She is keen to support BIPOC, LGBTQIA+, and historically underrepresented writers. As a second-generation Korean Canadian living in Toronto, she has a particular interest in diverse stories from diasporic communities.
Notes
Accepting Submissions | New Literary Agents |BIPOC Fiction | Commercial Fiction | Graphic Novel | LGBTQ Fiction | Literary Fiction | Upmarket Fiction |General Nonfiction | Art | Biography | Cultural Social Issues | Current Events Affairs | Film Entertainment | Food Drink | History | Lifestyle | Politics | Pop Culture | Women’s Issues |
Biography
Kirby Kim is a literary agent with Janklow & Nesbit Associates. A native of Los Angeles, California, Kirby attended Harvard-Westlake high school then went to Pomona College where he was a PPE (Philosophy, Politics, and Economics) major. He spent the year after graduation teaching English in South Korea and when he returned moved to San Francisco to get his JD at UC Hastings College of the Law.
Kirby moved out to New York in the spring of 2004 and got his first job in publishing working for Charlotte Sheedy Literary, at that time an affiliate of Sterling Lord Literistic. He then moved to Vigliano Associates where he gradually started representing his own projects. In 2008, he joined Endeavor which the following year merged with William Morris. He stayed at WME for five years before joining Janklow & Nesbit.
Kirby represents both literary and commercial authors. When it comes to literary work, he’s alternatively drawn to rich, sweeping stories that try to encompass a time or a place or tightly written, narratively innovative stories that bridge genres. His commercial interests include thriller, horror, speculative and science fiction, young adult, and middle grade.
He also represents a range of nonfiction working with leaders and journalists in the areas of science, culture and current affairs. He’s also known for representing pop culture, in particular music and comedy.
Kirby is currently a board member of the Asian American Writers Workshop. He lives in Phoenix, Arizona with his wife and two kids.
Notes
Accepting Submissions |Picture Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Commercial Fiction | Crime Fiction | Fantasy | General Fiction | Graphic Novel | Horror | Literary Fiction | Mystery | Science Fiction | Suspense Fiction | Thriller | Upmarket Fiction |General Nonfiction | Business Book | Cultural Social Issues | Current Events Affairs | Dating Relationships Sex | Economics | Food Drink | Health Wellness | History | How-To | Humor Nonfiction | Journalism | Medical Medicine | Memoir | Money Finance | Music | Narrative Nonfiction | Pop Culture | Reference | Science | Self-Help | Sports | True Crime |
Biography
Rachel Kim is a literary agent with 3 Arts Entertainment. She represents the poet and “Brown Girls” web series writer Fatimah Asghar.
Notes
Accepting Submissions |General Fiction |Current Events Affairs | History | Narrative Nonfiction | Politics |
Biography
Sally M. Kim is a literary agent with the Andrea Brown Literary Agency. Sheis looking to represent a wide range of children’s book authors, illustrators, and author-illustrators. She is drawn to stories with a distinct voice, unexpected wit, aggressive pacing, punchy and/or emotionally resonant endings. When it comes to illustration, she gravitates to versatile artists using traditional mediums and those with a unique take on color, texture, perspective, and thoughtful details. Please send Sally fiction and non-fiction submissions in the following categories: picture books, chapter books, middle grade, and graphic novels. Across all categories, Sally is especially eager to see authentic explorations of underrepresented cultures, relationships, and identities. Prior to joining Andrea Brown Literary Agency, Sally spent more than fifteen years in children’s book marketing and publicity at a variety of publishers including Macmillan, Penguin, and Chronicle Books. More recently, she has worked as an independent consultant for global children’s book publishers and literacy-related non-profits. Sally lives in San Francisco, California, and she spends most of her free time taking videos of her cat.
Notes
Accepting Submissions | New Literary Agents | Member of the AALA |Picture Book | Chapter Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Graphic Novel | Multicultural Fiction |Multicultural Nonfiction |
Biography
Natalie Kimber is a literary agent with The Rights Factory. She has worked with The Rights Factory since 2014, and is based in the New York area. She previously worked with the Georgetown University Booklab, and Literary and Creative Artists in Washington, DC. She is an associate editor for Monologging.org, organizer of the NYC Writers Circle, and founder of the Weehawken Writers and Artists Studio. She takes pride in guiding authors through the strategy and practical process of publishing, and yet she acknowledges that a wondrous magic is at work when books come into form.
As an aesthete and theologian at heart, she aspires to a “post-mystic modern” philosophy, which attempts to reintegrate our mystic roots and intuition with contemporary thought. Nat hails from the West—specifically Colorado and New Mexico—and cherishes art and books that capture that region. She is an avid cook and gardener, and credits her encyclopedic knowledge of food, wine and spirits to 20+ years of work in the restaurant industry. She can’t live without chiles, cheese, potatoes, and wine. She discovered a love of classic and pre-code cinema when she joined a film club during the early days of the pandemic. She lives with her partner, two snuggly cats, and a rambunctious bunny in Weehawken, NJ.
In fiction she is looking for: literary, commercial, and upmarket women’s and LGBTQ+ fiction, romance, comedies, international or transnational stories, action/adventure, animal stories, modern mythology, nostalgic and historical fiction, and short fiction collections with a strong theme. It is most important that authors understand the WHY of their story and methods of storytelling. Novels and fiction need to have a great hook, while also showcasing craft. Within speculative fiction she likes magical realism, occult, and horror, but is not looking for traditional science fiction or fantasy.
She will consider the following YA categories: realistic/contemporary, rebellious teen fiction, boy books, horror, suspense/thriller, and some nonfiction for teens, especially if the book is related to activism, sustainability, empowerment, creative arts or personal growth. She is not looking for YA sci-fi or fantasy.
For nonfiction she is looking for: humor, memoir, biography, lifestyle, art, health, environment/climate, animal/pets, healing, spiritual/occult, history (especially ancient), peace studies, music, food/cooking/cocktails, pop culture, relationship, regional and international studies, writing craft, essay collections and literary criticism. She requests that authors use appropriate content warnings when querying with sensitive material.
Follow Nat on Twitter @Nat_TRF and Instagram @Zsunita.
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CLOSED to Submissions | New Literary Agents |Juvenile Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Action Adventure | Commercial Fiction | Graphic Novel | Historical Fiction | Humor Fiction | LGBTQ Fiction | Literary Fiction | Romance | Science Fiction | Suspense Fiction | Thriller | Upmarket Fiction | Women’s Fiction |Animals | Art | Biography | Cookbook Cooking | Dating Relationships Sex | Environment | Food Drink | Gardening | Health Wellness | History | Humor Nonfiction | Memoir | Music | Nature | Pop Culture | Science | Spirituality |
Biography
Rob Kirkpatrick is a literary agent with Kirkpatrick Literary. Before founding his own agency in 2019, he was an agent with The Stuart Agency. He has placed projects at major publishers for such authors as All-Star pitcher and MLB mental performance coach Bob Tewksbury; national MLB columnist and analyst Scott Miller; MMA competitor/analyst and Celebrity Apprentice cast member Chael Sonnen; The Players’ Tribune senior editor Mark Beech; Pat Garofalo of U.S. News & World Report; Golden Globe-winning actor Olivia Hussey; and the hosts of The Skeptics’ Guide to the Universe; to name a few. His areas include big-platform memoir, biography, history, sports, music, pop culture, pop science, and currents events/culture wars.
Rob joined The Stuart Agency after working as a senior editor at both “Big Five” and indie publishing houses. Titles he published include Kent Hartman’s The Wrecking Crew; Bryan Bishop’s Shrinkage; Viv Albertine’s Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.; Charles Falco and Kerrie Droban’s Vagos, Mongols, and Outlaws; Alex Storozynski’s The Peasant Prince; Leigh Steinberg and Michael Arkush’s The Agent; Dan Epstein’s Big Hair and Plastic Grass; Dennis Dunaway’s and Chris Hodenfield’s Snakes! Guillotines! Electric Chairs!; David Silverman’s Fighting God; Kennedy’s The Kennedy Chronicles; Art Garner’s Black Noon; David de Sola’s Alice in Chains: The Untold Story; Linda Cohn’s Cohn-Head; Shannon Miller and Danny Peary’s It’s Not About Perfect; and Jerry Rice and Randy Williams’ 50 Years, 50 Moments. Rob completed a PhD in English and also has written a few books.
Notes
Accepting Submissions |Crime Fiction | General Fiction | Mystery | Thriller |General Nonfiction | Biography | Business Book | Cultural Social Issues | Current Events Affairs | Dating Relationships Sex | Education | Health Wellness | History | Lifestyle | Medical Medicine | Memoir | Money Finance | Music | Narrative Nonfiction | Politics | Pop Culture | Religion | Science | Self-Help | Spirituality | Sports | True Crime |
Biography
Dan Kirschen is a literary agent with CAA/ICM. He represents authors and journalists working across many genres, with a focus on literary fiction, narrative nonfiction, memoir, and pop culture. Kirschen began his career at ICM Partners.
With one of the most prestigious literary departments in the world, CAA represents a wide range of writers, including authors of bestselling fiction and non-fiction books, prominent newspaper and magazine journalists, and recipients of the Nobel Prize, Pulitzer Prize, National Book Award, and many other literary honors. The books CAA represents frequently appear on The New York Times Best Sellers list. In addition to selling publication rights, CAA’s New York literary agents work closely with CAA agents in Los Angeles to seek out opportunities for film and television adaptations. For foreign rights, CAA has an office in London that sells UK and translation rights to CAA books.
Notes
Accepting Submissions |General Fiction | Suspense Fiction | Thriller |General Nonfiction | Current Events Affairs | Humor Nonfiction | Lifestyle | Music | Narrative Nonfiction | Sports | Travel |
Biography
Kim-Mei Kirtland is a literary agent with the Howard Morhaim Literary Agency. She is actively taking on clients who write speculative fiction, literary fiction, and nonfiction. Her primary focus is work for adult and YA audiences, but she is open to select middle grade projects.
In fiction, she is particularly interested in hard science fiction, secondary world fantasy, space opera, magical realism, fabulism, and urban fantasy; in nonfiction, she is primarily open to history, biography, popular science, and food and travel writing with a strong voice.
Books that have resonated with her recently include the Imperial Radch novels by Ann Leckie, PRIVATE CITIZENS by Tony Tulathimutte, HOW TO BE BOTH by Ali Smith, and THE FOUR THOUSAND, THE EIGHT HUNDRED by Greg Egan.
She is not the best audience for work in the thriller or romance genres without speculative elements.
Notes
Accepting Submissions |Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Contemporary Fiction | Fantasy | General Fiction | Literary Fiction | Magical Realism | Science Fiction |General Nonfiction | Biography | Food Drink | History | Science | Travel | Upmarket Nonfiction |
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Directory Instructions
Use the drop-down menu on the left to search for agents by genre, gender, location, longevity, or AAR Status. To find a specific agent or agency, enter the agent’s name or the name of the agency into the search box.
Important: If you use the search box, you must remove the search term by pressing the “Clear Search” link before you look for more agents using the drop-down menu (or you won’t see the proper results). Click on the “Show Notes” and “Show Bio” links underneath each agent for more information about that agent.
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About Mark Malatesta
MARK MALATESTA is a former literary agent turned author coach. Mark now helps authors of all genres (fiction, nonfiction, and children’s books) get top literary agents, publishers, and book deals through his company Literary Agent Undercover and The Bestselling Author. Mark’s authors have gotten six-figure book deals, been on the NYT bestseller list, and published with houses such as Random House, Scholastic, and Thomas Nelson. Click here to learn more about Mark Malatesta and click here for Reviews of Mark Malatesta.
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Author Coaching Testimonials
“Mark, finding you has been both a treat and a treasure—I just signed a contract with my new literary agent!
My career has spanned publishing, TV, and feature film. I’ve served as Creative Dir. for the Magazine Group, TIME Inc.; Dir. of Time World News Service, a Founding Dir. of TIME-Life Films; Exec. Prod. for both the CBS and NBC TV Networks; Prod./Dir.: Movies of the Week: CBS Cinema Center Films and Universal MCA.
In today’s publishing marketplace, agents come and go. They also very often seem to just want an easy pathway to make a buck. Many authors are let go by their agents because their last book didn’t do well enough and the agent doesn’t want to devote the time to help the author. That’s not what you’re about Mark. Even established authors need this type of support in today’s marketplace.”
Author of ten fiction and nonfiction books
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“I’m psyched to have this be official. After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6-figure book deal with Penguin!
Getting multiple agents interested in my work was really important to me. I’ve dealt with agents before and gotten screwed on things contractually so I wanted to do it differently this time. I wanted choices.
Having you help me create that, and navigate my options, was really helpful. I heard other authors talk about their great relationships with their agents and it made me want the same thing. Now I have that.”
Author of Woman on Fire
(Penguin Books)
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“After sending out the query Mark revised for me, I had the opportunity to speak with literary agents from top agencies such as Janklow & Nesbit, Trident Media, Anderson Lit, and Folio. I signed with Don Fehr at Trident and, a short time later I had a publishing contract with Berkley Books, which recently published my book in hardcover.
Before that, I sent my query letter out on my own to 30 or 40 agents and got a lot of rejections. I then found Mark online while I was researching agents. I was surprised that he offered so much during his initial consultation—for a very modest amount of money.
I don’t know what would have happened if I hadn’t worked with Mark. I can’t even imagine that now though, because of the grief and detours I experienced before we worked together. It was a time-consuming pain in the neck. If you want to get the attention of top literary agents and publishers, there is no substitute for working with an insider. You can’t beat experience. And having Mark on your side is incredibly valuable.”
Author of Single Handed
(Berkley Books, a Division of Penguin Random House)
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“AHHH! OMG, it happened! I got three offers of representation for my children’s picture book in the United States, even though I live abroad! When I woke up and found the first offer for representation in my email in box, I wanted to scream. But my family was still asleep so I couldn’t. 🙂
Just 8 minutes after I sent a query letter to one of my favorite agents, she replied and asked to see my manuscript. A short time later we had a lovely conversation. She was interested in representing me and sounded very positive and enthusiastic about my book. Since I also got offers from two other agents, I had to turn two of them down. One of them was upset and it felt like I was breaking her heart, but you just have to do it. I kept reminding myself that this is a good problem to have!”
Author/Illustrator of Lon-Lon’s Big Night
and many other children’s books
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“Mark, after you helped me land a top literary agent, I got publishing offers from THREE well-known publishers: Amacom, Palgrave Macmillan, and McGraw-Hill (they’re publishing my book in hardcover)!
I was at Disneyworld with my family, in the Haunted Mansion, when I got the call. I went outside and listened to the voicemail message from my agent. A huge smile came over my face. It was a fantastic feeling. For a moment I felt like life was perfect and the angels were singing.
You’re filling an important need so I’ll say this to every other author reading this testimonial. Mark showed me that getting a top literary agent is a science. If you’ve written a book, or you’re in the process, you’ve already invested a lot—a lot more than money. Don’t stop yourself from getting out there to fulfill your purpose and dreams. Thank you so, so much, Mark!!!”
Author of Customer Focused Process Innovation (McGraw Hill)
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“I got a book deal! After I started sending out my new query letter I had 6 literary agents request my manuscript in a short amount of time, which is awesome. Then, within 2 weeks of my agent starting to pitch my story to publishers, we had an offer. I signed a book contract yesterday. A little while later my agent told me that a TV co-producer asked for more info about my book.
By the way, the acquiring editor that fell in love with the manuscript jumped in with both feet and we just worked out our timeline for publication. She’s as passionate about getting my book out as I am, and that means everything. She read the manuscript in two days and said she couldn’t put it down. And the book is going to be published as a hardcover!”
Author of A Chick in the Cockpit
(Behler Publications)
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“Thank you Mark! After you helped me get a well-known agent with Hartline Literary Agency (for my previously self-published murder mystery), he got me a deal with an American Christian Fiction Writers (ACFW) approved publisher. I’m hard-pressed to find anything that I had an expectation for that you didn’t deliver on.
Before I worked with you I sent out queries, but no one ever requested my complete manuscript. Comparing your new version of my query to the one I wrote before, I can see a vast difference.
I’ve been in business for 35 years so I’m not just saying this… what you’re doing is phenomenal. There are other people offering similar services, but the difference is your success. Others might say they do similar things but, if you research them, they don’t have your background or track record.”
Author of The Rector
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“Mark, you’re a miracle worker. Thanks to your help with my book, query letter, and synopsis… I now have a legitimate publisher who described my book as ‘Powerful Magic’ and it’s now available in bookstores and online!
I’m a lifelong academic writer who one day found myself writing inspired short stories that came to me in dreams and I began thinking of them as novels. That’s when I had a momentous conversation, an introductory coaching call with Mark Malatesta, the American creative writing coach, or rather, to be precise, a how-to-sell-yourself-and-your-work adviser. It was the best-spent money of my life apart (possibly) for my wedding ring.”
Author of The Black Inked Pearl
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“Within 4 minutes of sending out my query letter, a top literary called me on the phone (the #1 agent on my wish list). Less than 30 days later I had three major publishers making offers. A few days after that, I signed a deal with Random House. Mark, your query letter did that.
My agent talked about the query letter you helped me create for a long, long time. When he first called me on the phone, he hadn’t seen any of my sample chapters. It was just the query letter that did it. Communicating the right thing is so important. You are a wonderful medium helping authors find their voice and elevate their writing from just a hobby to a real business… a source from which they can both learn and earn.”
Author of Lights Out
(Random House)
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“MARK, MARK, MARK!!!!!!! Holy smokes… I just signed my book deal. First, two well-known literary agents asked to represent me. One of them responded to my query letter in less than 4 minutes!!
Then THREE different publishers wanted my book and started talking about making offers. The publisher I chose is perfect for me because they produce titles for the trade, educational, and scientific markets. And they agreed to publish my book as a hardcover!!!
When I met you, Mark, it was a pivotal time. I was under the belief that I could self-publish my book with a vanity press and then seek a publisher. I didn’t know what a literary agent was, why I needed one, or how to get one. I was wandering in the dark. You guided me in the right direction and gave me a solid plan.”
Author of Intestinal Health
(Rowman & Littlefield)
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“Boom!!! I just signed a contract with Thomas Nelson/Harper Collins for (what I’ve been told by several people) is a very large advance for a first-time author.
Before working with Mark I submitted my book to agents but didn’t get any interest. This time around I got a top NY literary agency (Fine Print Lit). What cloud is higher than 9?
I had several agencies interested before deciding to go with Fine Print. And, to be honest, all of the attention didn’t surprise me. The query letter and proposal that Mark helped me develop were incredible. Agents actually said things to me like: ‘Scott, I read your proposal and I’m just blown away by it!’ Mark is extremely talented at what he does. If you have the opportunity to work with him, take advantage of it.”
Author of The Unbreakable Boy
(Harper Collins/Thomas Nelson)