Home » Directory of Literary Agents – USA Literary Agents
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The Directory of Literary Agents
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Literary Agent Directory
Important: Visit each agent’s website (links in their listings below) to see if they’re open to submissions before querying.
Biography
Gail Fortune is a literary agent with the Talbot Fortune Agency. She is a literary agent and former book editor with over twenty-five years of publishing experience. Prior to becoming an agent she spent sixteen years at Putnam Berkley (now part of Penguin Random House), where she rose from Assistant to the Editor-in-Chief to Executive Editor. Her authors won RITAs and Agatha’s and were Edgar, Anthony and Shamus nominees. She has edited and agented New York Times and USA Today bestsellers and Publisher’s Weekly Books of the Year. She is a graduate of Northwestern University’s Medill School of Journalism.
Notes
Accepting Submissions |Crime Fiction | General Fiction | Historical Fiction | Literary Fiction | Mystery | Romance | Suspense Fiction | Thriller | Upmarket Fiction | Women’s Fiction |General Nonfiction | Current Events Affairs | History | Journalism | Narrative Nonfiction |
Biography
Clara Foster is a literary agent with Aevitas Creative Management UK. She joined ACM UK in 2023 after spending time at HarperCollins, Creative Media Agency Inc., and The Blair Partnership, and is now looking to represent writers across genre fiction, upmarket, and reading-group, as well as select non-fiction. She is editorially-focused and works closely with clients in the lead up to submission to publishers. Clara is adamant that the relationship between agent and author functions best as a partnership—this means being in regular discussion with authors about what they want for their careers as well as their manuscripts, and making herself available to answer any publishing-related questions.
In fiction, she is looking for stories in the upmarket/book-club sweet spot where literary and genre-fiction meet (think Circe and Lessons in Chemistry), intensely emotional literary women (think Luster by Raven Leilani or The Guest by Emma Cline), and just about anything written with beautiful prose, a high-stakes plot, and/or a folkloric, legendary, or mythical grounding (think She who Became the Sun by Shelley Parker-Chan, A Marvellous Light by Freya Markse, or Ninth House by Leigh Bardugo). She loves a romance in any genre—fantasy, historical, mystery, or a combination of all three—and will, no matter how dark a book gets in the middle, always gravitate towards a happy ending.
Clara is also looking for projects in the YA/Crossover space. Much like her taste in adult fiction, she wants to see clever world-building, emotional (and flawed) characters, and preferably a romantic sub-plot—or main plot. Here however she would like to find writing from authors who push the boundaries even further: new twists on old tropes, high concepts (an idea you can pitch in a sentence), and perspectives we rarely get to see. Clara’s enduring favourites from her teenage years are The Hunger Games and A Series of Unfortunate Events—she would love to help publish books that stick just as steadfastly with a new generation of readers.
In Non-fiction, Clara would like to find highly practical guides aimed squarely at women with the intention of filling crucial gaps in our collective knowledge. Books she thinks have done this successfully include Girls That Invest by Simran Kaur and How To Work Without Losing Your Mind by Cate Sevilla.
Notes
CLOSED to Submissions | New Literary Agents |Young Adult Fiction | BIPOC Fiction | Fantasy | General Fiction | Historical Fiction | LGBTQ Fiction | Literary Fiction | Mystery | New Adult Fiction | Romance | Upmarket Fiction | Women’s Fiction |Business Book | Dating Relationships Sex | Family | Health Wellness | Pop Culture | Science | Self-Help | Women’s Issues |
Biography
Clara Foster is a literary agent with Aevitas Creative Management UK. She joined ACM UK in 2023 after spending time at HarperCollins, Creative Media Agency Inc., and The Blair Partnership, and is now looking to represent writers across genre fiction, upmarket, and reading-group, as well as select non-fiction. She is editorially-focused and works closely with clients in the lead up to submission to publishers. Clara is adamant that the relationship between agent and author functions best as a partnershipÑthis means being in regular discussion with authors about what they want for their careers as well as their manuscripts, and making herself available to answer any publishing-related questions.
In fiction, she is looking for stories in the upmarket/book-club sweet spot where literary and genre-fiction meet (think Circe and Lessons in Chemistry), intensely emotional literary women (think Luster by Raven Leilani or The Guest by Emma Cline), and just about anything written with beautiful prose, a high-stakes plot, and/or a folkloric, legendary, or mythical grounding (think She who Became the Sun by Shelley Parker-Chan, A Marvellous Light by Freya Markse, or Ninth House by Leigh Bardugo). She loves a romance in any genreÑfantasy, historical, mystery, or a combination of all threeÑand will, no matter how dark a book gets in the middle, always gravitate towards a happy ending.
Clara is also looking for projects in the YA/Crossover space. Much like her taste in adult fiction, she wants to see clever world-building, emotional (and flawed) characters, and preferably a romantic sub-plotÑor main plot. Here however she would like to find writing from authors who push the boundaries even further: new twists on old tropes, high concepts (an idea you can pitch in a sentence), and perspectives we rarely get to see. ClaraÕs enduring favourites from her teenage years are The Hunger Games and A Series of Unfortunate EventsÑshe would love to help publish books that stick just as steadfastly with a new generation of readers.
In Non-fiction, Clara would like to find highly practical guides aimed squarely at women with the intention of filling crucial gaps in our collective knowledge. Books she thinks have done this successfully include Girls That Invest by Simran Kaur and How To Work Without Losing Your Mind by Cate Sevilla.
Notes
CLOSED to Submissions | New Literary Agents |Young Adult Fiction | BIPOC Fiction | Fantasy | General Fiction | Historical Fiction | LGBTQ Fiction | Literary Fiction | Mystery | New Adult Fiction | Romance | Upmarket Fiction | Women’s Fiction |Business Book | Dating Relationships Sex | Family | Health Wellness | Pop Culture | Science | Self-Help | Women’s Issues |
Biography
Roz Foster is a literary agent with the Frances Goldin Literary Agency. She joined the Goldin Agency in 2019 after six years as a literary agent with the Sandra Dijkstra Literary Agency. She holds a BA in English Literature from UCSD, an MA in English from Portland State University, and studied Philosophy at the University of Sheffield. SheÕs passionate about books that explore vital human themesÑmorality, purpose, freedom, faith, hierarchy, success, violence, meaning, love, and death. She loves writing that has emotional depth, makes insightful observations, and demonstrates exquisite linguistic skill.
Roz is seeking literary fiction, often with a genre element. SheÕs especially drawn to literary speculative and grounded sci-fi. SheÕs also looking for literary supernatural, mystery, crime, and thriller. She enjoys dark stories with big questions at their core. Some of her favorite authors are Kazuo Ishiguro, JosŽ Saramago, Katie Kitamura, Y_ko Ogawa, Tana French, Karl Ove KnausgŒrd, and Rachel Cusk. In nonfiction, sheÕs interested in narrative nonfiction, history, tech, science, and design.
Recent titles include Scott Alexander HowardÕs THE OTHER VALLEY (Atria & Scribner Canada; television rights to Universal/Working Title); Robin BernsteinÕs FREEMANÕS CHALLENGE: THE MURDER THAT SHOOK AMERICAÕS ORIGINAL PRISON FOR PROFIT (U of Chicago Press); Surekha DaviesÕs HUMANS: A MONSTROUS HISTORY (UC Press); Christopher Paul HarrisÕs TO BUILD A BLACK FUTURE (Princeton UP); and Benjamin WeberÕs AMERICAN PURGATORY: PRISON IMPERIALISM AND THE RISE OF MASS INCARCERATION (New Press). Select titles through the Dijkstra Agency include Constance SayersÕs A WITCH IN TIME, THE LADIES OF THE SECRET CIRCUS and THE STAR & THE STRANGE MOON (Redhook); Susan OÕDonovanÕs BECOMING CITIZENS (Penguin Press); and Daniel RussellÕs THE JOY OF SEARCH (MIT Press).
Notes
Accepting Submissions | Member of the AALA |Commercial Fiction | Crime Fiction | Fantasy | General Fiction | Literary Fiction | Mystery | Paranormal Fiction | Science Fiction | Suspense Fiction | Thriller |General Nonfiction | Current Events Affairs | Design | History | Memoir | Narrative Nonfiction | Politics | Science | Technology |
Renee Fountain
Gandolfo Helin & Fountain Literary ManagementAccepting SubmissionsQuery Method(s): Email >Biography
Renee Fountain is a literary agent with Gandolfo Helin & Fountain Literary Management. She’s also the president and a publishing industry veteran, a reviewer for Kirkus and New York Journal of Books, and a book scout for The CW Network.
During her almost decade-long tenure with major houses such as Harcourt Brace and Simon & Schuster, Ms. Fountain had the great fortune of working with some of the best writers and illustrators in the publishing world.
Additionally, with more than ten years of licensing and branding experience, she has been involved in creating book-related merchandise including iconic favorites such as Raggedy Ann and Nancy Drew; as well as brokering film and television options.
Renee is looking for all types of adult and YA fiction and non-fiction. She prefers: thrillers, horror/dark fantasy, urban/contemporary fantasy, humor, sci-fi, pop-culture, memoirs, and narrative/commercial. She DOES NOT represent previously published books (including self-published), Westerns, Hard Science Fiction, Space Opera, Middle Grade, Picture Books, Erotica, Poetry, Novellas or Short Story Collections.
Notes
Accepting Submissions |Juvenile Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Action Adventure | Commercial Fiction | Contemporary Fiction | Crime Fiction | Espionage Military Fiction | Family Saga | Fantasy | General Fiction | Horror | Humor Fiction | LGBTQ Fiction | Literary Fiction | Mystery | Romance | Science Fiction | Sports Fiction | Suspense Fiction | Thriller | Women’s Fiction |General Nonfiction | Biography | Business Book | Cookbook Cooking | Economics | Health Wellness | History | Humor Nonfiction | LGBTQ Nonfiction | Lifestyle | Memoir | Mind Body Spirit | Money Finance | Narrative Nonfiction | Pop Culture | Psychology | Sports | True Crime |
Biography
Catherine Fowler is a literary agent with the Redwood Agency. Catherine has more than 20 years of experience in book and Internet publishing having worked for such prestigious companies as Random House, Simon & Schuster, Doubleday, Excite and WebMD. With the inception of Redwood Agency, Fowler is focusing on the core of her expertise: the development of informative and fun products, working with talented writers and editors, and negotiating contracts.
Redwood Agency’s mission is to develop and represent innovative, high-quality nonfiction works for the general consumer market. Representing series of titles as well as single works, Redwood will consider many marketable categories including: health, self-help, popular culture, cooking, gardening, parenting, relationships, travel, home care and design, general reference, humor, photography and cultural technology.
Catherine Fowler spent 14 years working for top New York Publishing houses including Doubleday, Simon & Schuster and Random House. At Doubleday she worked first in the editorial department and then in subsidiary rights where she sold and negotiated right deals for the entire Doubleday list including works by: Isaac Asimov, Bill Cosby, O. Henry, Barbara Taylor Bradford, and Stephen King.
In 1986 she joined the then newly formed Prentice Hall trade division where she built a new department and managed all the rights sales to their prestigious non-fiction lines and titles including: Webster’s New World Dictionaries, The New York Public Library Desk Reference series, Frommer’s travel, Betty Crocker cookbooks, Brady Computer Books. With Brady Computer books her department increased the book club and foreign sales tenfold and certain titles were translated into more than 15 languages. It was at Prentice Hall that she formed the first department at a major book company devoted to pioneering electronic publishing opportunities for traditional publishers with software and online companies. She forged groundbreaking alliances and agreements with the early leaders of the online and CD-ROM business including Sony, Prodigy, Worldview (a.k.a. Travelocity), and The Software Toolworks (a.k.a. Headlands Media).
At Random House, Fowler took on the dual role of associate publisher of the Reference and Electronic Publishing division and for electronic projects company wide. She managed the editorial and production team for Random House dictionaries, encyclopedias and other general reference works and published the first electronic versions of many of those works. She also published the first volume of the Dictionary of American Slang, The Word Menu, and The New York Roadrunners Club Book of Running among other titles. Innovative and groundbreaking electronic projects included the Random House Unabridged Dictionary on CD-ROM, the National Audubon multimedia series, Jurassic Park e-book, many different electronic versions of Fodor’s travel information and the first electronic versions of multiple titles from the Modern Library.
After relocating to California in 1994, she expanded her expertise in the fast-paced world of Internet publishing through her executive positions at Excite and WebMD. During these years Fowler was extensively involved in making publishing decisions, senior management challenges inherent in start-up companies, buying and selling rights to literary works, and negotiating a myriad of new media publishing agreements.
Notes
Accepting Submissions |Chick Lit | General Fiction | Literary Fiction | Mainstream Fiction | Suspense Fiction | Women’s Fiction |General Nonfiction | Autobiography | Biography | Business Book | Celebrity | Cookbook Cooking | Cultural Social Issues | Dating Relationships Sex | Design | Diet Nutrition | Environment | Family | Film Entertainment | Fitness | Food Drink | Gardening | Gift Novelty | Health Wellness | History | How-To | Humor Nonfiction | Lifestyle | Medical Medicine | Memoir | Military War Nonfiction | Money Finance | Music | Narrative Nonfiction | Nature | Parenting | Photography | Pop Culture | Psychology | Reference | Religion | Self-Help | Spirituality | Technology | Travel | Women’s Issues |
Biography
Aram Fox is a literary agent with Massie & McQuilkin. He represents a mix of fiction and nonfiction. His favorite novelists, commercial as well as literary, put immersive storytelling front and center. In nonfiction, heÕs looking for powerful memoir, natural history, deeply reported narrative nonfiction, and world-class explainers and advice-givers. At age 26, Aram founded a book scouting agency where for 23 years he represented international publishers and American film/TV companies, guiding his publisher and film/TV clients to acquire a WhoÕs Who of bestsellers and prize-winners, including: Brit Bennett, Peter Godfrey-Smith, Lauren Oyler, HonorŽe Fanonne Jeffers, Bill Gates, George Saunders, Angela Duckworth, Patrick Radden Keefe, Dave Grohl, Lena Dunham, Emma Cline, Harlan Coben, Jeff VanderMeer, Alex Honnold and Andy Weir among many others.
Notes
Accepting Submissions | New Literary Agents |Commercial Fiction | General Fiction | Literary Fiction |General Nonfiction | History | Memoir | Narrative Nonfiction | Nature | Politics | Science |
Biography
Diana Fox is a literary agent with Fox Literary. Diana is also the owner of Fox Literary. She says: “I am actively seeking the following: young adult fiction (all genres), science fiction/fantasy, romance, historical fiction, thrillers, and graphic novels. I’m always interested in books that cross genres and reinvent popular concepts with an engaging new twist (especially when thereÕs a historical and/or speculative element involved).
On the nonfiction side I’m interested in memoirs, biography, and smart narrative nonfiction; I particularly enjoy memoirs and other nonfiction about sex work, addiction and recovery, and pop culture.”
Notes
Accepting Submissions |Juvenile Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Commercial Fiction | Fantasy | General Fiction | Graphic Novel | Historical Fiction | Horror | Literary Fiction | Romance | Science Fiction | Suspense Fiction | Thriller |General Nonfiction | Beauty Fashion Style | Biography | Dating Relationships Sex | Food Drink | History | Memoir | Mind Body Spirit | Narrative Nonfiction | Pop Culture | Science | Travel |
Biography
Grainne Fox is a literary agent with United Talent Agency (UTA). She represents award-winning, New York Times bestselling novelists, journalists and academics. Gr‡inne joined UTA in 2023, from Fletcher & Company and before that, she worked in London with Ed Victor. Her clients have been shortlisted for, or won, various awards including The William Hill Sports Book of The Year, The Booker Prize, The WomenÕs Prize, The Irish Book Awards, The British Book Awards, The Orwell Prize, The Plutarch Award, the RTƒ Short Story Competition, and the NBCC.
Gr‡inne grew up in Ireland and naturally has a passion for Irish literature but also British and European writers who appeal to a US and international audience. She is also actively looking for debut literary voices from the US. She loves books of all stripes that Òstimulate the mind and satisfy the heart.Ó This runs the gamut from Literary Fiction to Reading Group Fiction through to propulsive Narrative non-fiction.
She is drawn to writers who delight and entertain their readers with every single line. That could mean intergenerational dysfunctional family stories, or genre-bending, uncanny fiction that creates new worlds and new ways of telling love stories, or singular literary suspense and thriller thatÕs distinctive, original and usually told through a feminist lens. Or historical fiction thatÕs exquisitely written and has lots to say to the modern reader.
She is always looking for smart, narrative non-fiction that catches readers by the throat and illuminates a slice of social history through exceptional, novelistic storytelling. Or books with new and emerging research on human behaviour that explain why we do what we do are of particular interest. She is proud to work with The International Spy Museum and is obsessed with espionage and intelligence generally.
Given her unique UK experience, she is privileged to work with select British agencies for the US market, and works with many novelists such as Sophie Mackintosh, Sarah Pinborough, Lucy Clarke, Clare Chambers and Holly Gramazio.
She has a degree in English Literature from Trinity College, Dublin, a postgrad from Dublin Institute of Technology and is a hands-on, fierce advocate for her clients and their work.
Notes
Accepting Submissions |Crime Fiction | Espionage Military Fiction | Family Saga | Fantasy | General Fiction | Historical Fiction | Literary Fiction | Mystery | Romance | Science Fiction | Suspense Fiction | Thriller | Upmarket Fiction | Women’s Fiction |General Nonfiction | Biography | Cultural Social Issues | History | Lifestyle | Military War Nonfiction | Narrative Nonfiction | Science |
Biography
Laurie Fox is a literary agent with the Linda Chester Literary Agency. Laurie, who joined the agency in 1989. A graduate of the University of California at Santa Cruz (Creative Writing and Theatre Arts), she is a published author of fiction and poetry, including Sexy Hieroglyphics (Chronicle Books) and two novels, My Sister from the Black Lagoon (starred Publishers Weekly review; San Francisco Chronicle bestseller) and The Lost Girls, both published by Simon & Schuster. The movie of The Lost Girls starring Vanessa Redgrave, Jolie Richardson, Iain Glen, and Louis Partridge, was released in 2022. She represents books in the areas of literary and quality fiction, thrillers and speculative fiction, memoir/biography, cultural history, popular culture, quirky humor, narrative nonfiction, history and current events, art and artists, and science and technology.
Notes
CLOSED to Submissions |Young Adult Fiction | Fantasy | General Fiction | Literary Fiction | Romance | Science Fiction | Suspense Fiction | Thriller |General Nonfiction | Art | Biography | Business Book | Cultural Social Issues | Current Events Affairs | Dating Relationships Sex | Economics | Food Drink | Health Wellness | History | How-To | Humor Nonfiction | Lifestyle | Medical Medicine | Memoir | Money Finance | Narrative Nonfiction | Photography | Pop Culture | Reference | Religion | Science | Self-Help | Spirituality | Sports | Technology |
Biography
Kat Foxx is an assistant agent with The Rights Factory. Kathleen joined The Rights Factory as an editorial assistant in early 2023 and was promoted to Assistant Agent in the fall of the same year. She has an editorial background, running a freelance fiction editing company. Kat is also a writer and is heavily involved in the online writing community. She also produces/hosts the #badasswriters podcast, edits audio for The Shit No One Tells You About Writing podcast, and is a founder/host of #MoodPitch.
Outside of creative work, Kat enjoys travelling, photography, creative cooking, hiking, and spending time in OntarioÕs beautiful cottage country. SheÕs a proud mom of five kids. She *loves* cats, coffee, chocolate, cheese, Argentinian wine. Outlander, This Is Us, YouÕve Got Mail, John Krasinski, Ryan Reynolds, and Tom Hanks are favourites!
Kat is building her list of exceptionally talented authors in commercial and book club fiction as well as some select nonfiction topics. She keeps a detailed MSWL and what sheÕs looking for in queries on her website at kathleenfoxxagent.com/mswl.
In fiction, sheÕs looking for Adult and YA thriller/mystery/suspense, gothic and supernatural horror, historical fiction (preferably pre-20th century), historical fantasy/magical realism (less magicians/wizards/kings/queens and more witches, ghosts, time travel, past lives, etc.), and romcom and romance (light spice). She also enjoys anything nostalgic and anything to do with past lives and soul connections, haunted houses, ancestry, and midwifery/natural childbirth. Kat *loves* creepy, scary stories that make her eyes water and give her goosebumps! Across ages and genres, stories that normalize blended, single-parent, adoptive, racially and/or culturally diverse, and same-sex relationships and families are high on her list.
For nonfiction, Kat is seeking compelling memoirs that read like fiction, motherhood/natural pregnancy and childbirth/midwifery/planned unassisted births, single parenthood (especially if paired with overcoming an abusive relationship with the other parent), past life/reincarnation, the ÒbrotherhoodÓ mentality of law enforcement, narcissistic abuse recovery, true crime, wine/food/travel, a history of witches and witchcraft, and ancient locations/civilizations.
Please do not query Kat with: picture books or MG stories, political or legal thrillers, erotica, extreme violence or torture, space operas, graphic novels, poetry, epic or high fantasies, hardcore sci-fi, werewolves, demons, vampires (unless theyÕre human-friendly or like ADOW), high-tech stories, anything to do with politics, AI-generated stories, biographies, academic works, self-help, health and fitness, sports, science, DIY, or religious-centred works.
Kat is always seeking projects from BIPOC, disabled, neurodiverse, and historically underrepresented writers and would love to see more LGBTQIA+ stories/writers!
On Twitter (X), Instagram, and Threads, Kat can be found @_LiteraryKat_ and on Blue Sky @literarykat
Notes
CLOSED to Submissions | New Literary Agents |Young Adult Fiction | BIPOC Fiction | Commercial Fiction | Contemporary Fiction | Crime Fiction | Family Saga | Fantasy | Gothic Fiction | Historical Fiction | Horror | LGBTQ Fiction | Magical Realism | Multicultural Fiction | Mystery | Paranormal Fiction | Romance | Speculative Fiction | Suspense Fiction | Thriller | Women’s Fiction |BIPOC Nonfiction | Cookbook Cooking | Cultural Social Issues | Dating Relationships Sex | Environment | Family | Food Drink | LGBTQ Nonfiction | Memoir | Parenting | Psychology | Spirituality | Travel | True Crime |
Biography
Carol Franco is a literary agent with Calligraph. She has been a literary agent with Kneerim & Williams since 2005, specializing in business and general non-fiction, before moving over to Calligraph.
Now a resident of Santa Fe, Carol was a publishing executive in Boston for more than twenty-five years. As Director, she led the Harvard Business School Press to a position of market leadership, signing many of the PressÕs most distinguished and successful authors such as Clayton Christensen, Michael Porter, John Kotter, Gary Hamel, C.K. Prahalad, and Charles Handy. Prior to Harvard, she was president of Ballinger Publishing Company where she created a line of influential business books that became the foundation for HarperBusiness, an imprint of HarperCollins.
Many of CarolÕs authors have been ranked by Thinkers50 among the top 50 best management thinkers in the world. Her authors have also won its distinguished achievement awards: Nilofer Merchant (The Power of Onlyness), Erin Meyer (Culture Map), and Amy Webb (The Signals Are Talking) for Future Thinker; Richard DÕAveni (The Pan-Industrial Revolution) and Rita McGrath (The End of Competitive Advantage) for Strategy; Herminia Ibarra (Act Like a Leader, Think Like a Leader) and Linda Hill (Being the Boss) for Leadership; and Linda Hill (Collective Genius) for Innovation.
Carol is also the co-author of The Legacy Guide: Capturing the Facts, Memories, and Meaning of Your Life, published by Tarcher/Penguin in January 2007.
Notes
Accepting Submissions | General Nonfiction | Business Book | Economics | Money Finance |
Biography
Abigail Frank is a literary agent with Sanford J. Greenburger Associates. She is passionate about stories for young people, especially those that are hilarious, poetic, quietly heartbreaking, and/or swoon-worthy, and she cares about voice, above all. She gravitates towards picture books that feel entirely original, chapter books with big personalities, and novels about unforgettable teens falling in love. She is committed to advocating for the work of marginalized authors and artists, and sheÕs actively looking for stories that allow young readers to recognize themselves in the books they love. She is also looking for select adult projects, including narrative nonfiction (especially if it explores pop culture, healthcare, or higher education) and rom-com-y commercial fiction.
Abigail joined the Greenburger team in 2017 after interning at Writers House. Formerly an assistant to Brenda Bowen, she now assists Faith Hamlin with her extraordinary and eclectic list of clients. Abigail graduated with a degree in English Literature from Swarthmore College and worked in healthcare before pursuing her passion for books. Find her mostly retweeting @abigailcrfrank
Notes
Accepting Submissions | Member of the AALA |Picture Book | Chapter Book | Middle Grade Fiction | Young Adult Fiction | Action Adventure | Commercial Fiction | Contemporary Fiction | Erotic Fiction | Graphic Novel | Humor Fiction | LGBTQ Fiction | Magical Realism | New Adult Fiction | Romance | Sports Fiction | Western Fiction | Women’s Fiction |General Nonfiction | Beauty Fashion Style | Crafts | Cultural Social Issues | History | Humor Nonfiction | Illustrated | Journalism | LGBTQ Nonfiction | Memoir | Narrative Nonfiction | Pop Culture | Spirituality | Sports |
Biography
Valerie Frankel is a literary agent with Aevitas Creative Management. She has collaborated with celebrities, public figures, and experts on more than thirty books, including two #1 New York Times bestsellers, Unhinged by Omarosa Manigault Newman and Melania and Me by Stephanie Winston Wolkoff. Other bestsellers sheÕs ghostwritten include Stay Hungry by Sebastian Maniscalco and A Shore Thing by Snooki.
Before becoming a ghostwriter, Frankel, a Dartmouth grad, has been an award-winning journalist and author (sheÕs written twenty-one books under her own name, novels, memoirs, and self-help guides), and served as Articles Editor at CondŽ NastÕs Mademoiselle for a decade.
Frankel joined Aevitas to put her thirty-five years of editorial experience to use by helping you realize your dream of becoming an author. SheÕs interested in non-fiction (memoir, health and wellness, business, lifestyle) and fiction (thriller, mystery, romance, YA). SheÕs based in Brooklyn, New York, and loves cats.
Notes
CLOSED to Submissions | New Literary Agents |Young Adult Fiction | Crime Fiction | Mainstream Fiction | Mystery | Romance | Suspense Fiction | Thriller |Business Book | Health Wellness | Lifestyle | Memoir |
Biography
Alexandra Franklin is a literary agent with the Curtis Brown Literary Agency. She joined Curtis Brown in 2023 as an associate in the dramatic rights department and as an associate agent in the books department. She was previously an assistant at Writers House and then an associate agent at Vicky Bijur Literary Agency. She holds an MFA in poetry from The New School. Alexandra is particularly interested in upmarket and literary fiction, narrative nonfiction and memoir, and select literary YA.
Notes
Accepting Submissions | Member of the AALA |Young Adult Fiction | General Fiction | Literary Fiction | Upmarket Fiction |Memoir | Narrative Nonfiction |
Biography
Stephen Fraser is a literary agent with the Jennifer DeChiara Literary Agency. Stephen joined the Jennifer DeChiara Literary Agency as an agent in January 2005. He worked most recently at HarperCollins Children’s Books, where he edited such creative talents as Mary Engelbreit, Gregory Maguire, Michael Hague, Ann Rinaldi, Kathryn Lasky, Brent Hartinger, Stephen Mitchell, and Dan Gutman. He began his career at Highlights for Children and later worked at Scholastic and Simon & Schuster. A graduate of Middlebury College in Vermont, he has a Master’s degree in Children’s Literature from Simmons College in Boston. He represents both children’s and adult books in a wide range of genres.
Notes
Accepting Submissions |Picture Book | Chapter Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Fantasy | General Fiction | Mystery | New Adult Fiction | Paranormal Fiction | Science Fiction |General Nonfiction | Cultural Social Issues | Pop Culture |
Biography
Megan Frayser is a literary agent with the Creative Media Agency, Inc. After graduating from the College of William and Mary, Megan Frayser began her journey in publishing with internships at Tule Publishing Group and Liza Dawson Associates. In 2021, she interned at Creative Media Agency before transitioning into an assistant position. Alongside her role in the office, sheÕs thrilled to be building her list as an associate agent.
Notes
Accepting Submissions | New Literary Agents |Crime Fiction | Fantasy | General Fiction | Mystery | Romance | Science Fiction | Suspense Fiction | Thriller |
Biography
Rosa Frazier is an assistant agent at The Seymour Agency. She began her agenting journey as a Summer 2023 mentee under Marisa Cleveland, Literary Agent at The Seymour Agency. Rosa is the writer of over a dozen Adult Romance novels since 2012, self-publishing since 2014. In 2021, she was selected to participate as a mentee in the last class of Pitch Wars for her contemporary romance. As a recovering attorney, Rosa spent four years as a clinical law professor. An essay she wrote was published in a non-fiction legal publication. As an Afro-Latinx author, her goal is to share stories of Caribbean and South American heritage, folklore, and other languages and dialects. She is drawn to underrepresented BIPOC, LGBTQIA, and disabled creatives, hoping to help them reach their authorial dreams. Rosa is seeking picture, middle-grade, and YA contemporary romance, mystery, and thrillers with inclusive and diverse perspectives.
Notes
CLOSED to Submissions | Black Literary Agents | New Literary Agents |Picture Book | Middle Grade Fiction | Young Adult Fiction |Business Book | Crafts | Gardening | Lifestyle | Memoir | Money Finance | Narrative Nonfiction | Sports |
Biography
Rosa Frazier is an assistant agent at The Seymour Agency. She began her agenting journey as a Summer 2023 mentee under Marisa Cleveland, Literary Agent at The Seymour Agency. Rosa is the writer of over a dozen Adult Romance novels since 2012, self-publishing since 2014. In 2021, she was selected to participate as a mentee in the last class of Pitch Wars for her contemporary romance. As a recovering attorney, Rosa spent four years as a clinical law professor. An essay she wrote was published in a non-fiction legal publication. As an Afro-Latinx author, her goal is to share stories of Caribbean and South American heritage, folklore, and other languages and dialects. She is drawn to underrepresented BIPOC, LGBTQIA, and disabled creatives, hoping to help them reach their authorial dreams. Rosa is seeking picture, middle-grade, and YA contemporary romance, mystery, and thrillers with inclusive and diverse perspectives.
Notes
CLOSED to Submissions | Black Literary Agents | New Literary Agents |Picture Book | Middle Grade Fiction | Young Adult Fiction |Business Book | Crafts | Gardening | Lifestyle | Memoir | Money Finance | Narrative Nonfiction | Sports |
Biography
Warren Frazier is a literary agent with John Hawkins & Associates. Warren joined the firm in 1992. His primary focus is on fiction, but he has an interest in particular areas of nonfiction including technology, history, world affairs and foreign policy. He is the agent for Joyce Carol Oates, author of the acclaimed New York Times bestseller THE ACCURSED; Adam Johnson, author of New York Times bestseller THE ORPHAN MASTERÕS SON and winner of the 2013 Pulitzer Prize in fiction; Jess Walter, author of the #1 New York Times bestseller BEAUTIFUL RUINS; Pulitzer Prize winner Robert Olen Butler, author of THE STAR OF ISTANBUL; G. Willow Wilson, author of ALIF THE UNSEEN, finalist for the Flaherty-Dunnan Prize for First Fiction; and Frederik Logevall, author of EMBERS OF WAR: The Fall Of An Empire and the Making Of AmericaÕs Vietnam, winner of the 2013 Pulitzer Prize in history.
He is a graduate of Princeton University and a father of two young children. On the weekends, he is either reading or still trying to finish building kitchen cabinets.
Notes
Accepting Submissions | Member of the AALA |Picture Book | Crime Fiction | General Fiction | Horror | Inspirational Fiction | Literary Fiction | Mystery | Paranormal Fiction | Thriller |General Nonfiction | Biography | Cultural Social Issues | Current Events Affairs | Government | History | Narrative Nonfiction | Politics | Science | Technology | True Crime |
Biography
Dawn Frederick is a literary agent with Red Sofa Literary. She is the owner of Red Sofa Literary, established in 2008. After earning her B.S. in Human Ecology and M.S. in Library and Information Sciences, she moved to the Twin Cities, to work for Oliver Press. Eventually she met Laurie Harper of Sebastian Literary and became an agent in 2002.
Between working in both chain and independent bookstores, books have played a significant role in her personal and professional lives. From working with sales reps, booksellers, and building strong relations with her bookstore customers, it was clear that truly finding a good book requires knowing what readers want. ItÕs no surprise she eventually became an agent, as it was a natural progression.
Dawn co-founded the MN Publishing Tweet Up, a local community social monthly meetup. She was formerly a member of the Board of Director for Loft Literary and a former President of the Twin Cities Community Advisory Council for MPR. In addition to being an instructor at Loft Literary, Dawn has taught extensively around the country on the ABCs of getting published at many writing conferences.
She lives in St Paul, with her three cats, rescue dog, and a very surly bird. When she isnÕt chasing down a cat or gardening, she can be found attending a show at First Avenue.
Notes
CLOSED to Submissions |Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | BIPOC Fiction | General Fiction | Historical Fiction | Horror | Humor Fiction | Multicultural Fiction | Mystery | Romance | Suspense Fiction | Thriller |General Nonfiction | Biography | BIPOC Nonfiction | Cultural Social Issues | Current Events Affairs | Health Wellness | History | Humor Nonfiction | LGBTQ Nonfiction | Lifestyle | Mind Body Spirit | Multicultural Nonfiction | Narrative Nonfiction | Politics | Pop Culture | Reference | Science | Travel | Women’s Issues |
Biography
Matthew Frederick is not only an agent, but the successful author of many popular “101 Things I LearnedÉ” books. He is looking for nonfiction titles in sports and architecture only.
Notes
Accepting Submissions | Architecture | Sports |
Biography
Ariel Fredman is a literary agent with the United Talent Agency (UTA). She comes to UTA from Atria Books, an imprint of Simon & Schuster, where she was most recently Deputy Director of Publicity and Marketing, working across genres to launch bestselling campaigns for blockbuster authors such as Colleen Hoover, Fredrik Backman, Lisa Jewell, Jennifer Weiner, Rebecca Serle, Zakiya Dalila Harris, and Janet Evanovich. She has worked in publishing for over a decade, and in that time has launched over 50 New York Times Best Sellers, including eight number-one books.
Her mission at UTA is to help build the commercial fiction program, drawing on her unique understanding of the publishing landscape and what drives readers to both buy and then talk about their favorite books. ArieleÕs looking for character-driven commercial and upmarket fiction that will make her cry (family drama/coming of age all accepted here!), mystery/thriller/suspense with a last-page jaw dropper, romance with a relatable main character and witty dialogue, and novels about women’s inner lives that straddle the line between commercial and literary from a diverse range of voices and backgrounds. She loves a strong sense of place, her favorite novels are those you want to savor but end up reading in a day, and tension amongst characters Ñ in any genre Ñ is a win.
Ariele has a BA in Comparative Literature and Sociology from Emory University, and lives in New York with her family.
Notes
Accepting Submissions | New Literary Agents |Commercial Fiction | Family Saga | Mystery | Romance | Suspense Fiction | Thriller | Upmarket Fiction | Women’s Fiction |
Biography
CoCo Freeman is a literary agent with the Linda Chester Literary Agency. She recently joined the agency. She is a graduate of Bard College with a B.A. in Written Arts. Before joining Linda Chester, CoCo worked for Tom Yoon Productions developing projects and editing existing material. She is looking for smart adult commercial fiction, mysteries, thrillers, historical fiction, young adult, middle grade and select picture books.
Notes
Accepting Submissions | New Literary Agents |Picture Book | Middle Grade Fiction | Young Adult Fiction | Commercial Fiction | Crime Fiction | Family Saga | Fantasy | General Fiction | Historical Fiction | Mystery | New Adult Fiction | Romance | Suspense Fiction | Thriller | Women’s Fiction |
Biography
Cricket Freeman is a literary agent with The August Agency. A fan of the intricate story operating on multiple levels, Cricket enjoys untangling literary Gordian knots, whether historical crime thrillers, narrative memoirs, contemporary creative nonfiction, or anything in-between.
After years as a business owner engaged in sales and marketing, she redirected her creativity toward the writing business, freelancing for magazines (more adventure than money) and business clients (more money than adventure).
For too long a time she slaved as the editor-in-chief of a national, full-color, glossy trade magazine, overseeing design, ad sales, editorial, and staff – and still writing 1100 damn-fine words a day, day after day, for print. As a result, she tends to measure her writing credits by the pound.
Along the way Cricket intertwined her business experience, art and humanities education, and writing skills to establish Possibilities Press to support small book publishers with writing, editing, design, and production services. Ever the entrepreneur, a decade later she shifted her focus exclusively to literary representation and in 2001 founded The Christina Pechstein Agency, later changing the name to The August Agency LLC. In 2014 she founded augustwords.org, an innovative network of writers’ resources supporting literary and literacy charities. Then just a few months later she established August Words Publishing, specializing in unique books by exceptional authors for select readers. Then in 2017 came a life-long dream of an inspiring retreat for writers, August Words House.
Cricket is a popular speaker and instructor at writers conferences and workshops because of her straightforward style. Writers appreciate that she’s been closely involved in every phase of a book’s life in the past three decades: from its conception as a tug in the back of a writer’s brain; through the explosive creative writing of it; to the painful editing, exacting design, and printing; then down to the distribution and marketing. With more than twenty years as a writing instructor, from conference talks to community education workshops and community college classes, she makes sure everyone enjoys a unique learning experience and leaves with their questions answered.
Notes
CLOSED to Submissions |Commercial Fiction | Crime Fiction | General Fiction | Historical Fiction | Mainstream Fiction | Mystery | Suspense Fiction | Thriller |General Nonfiction | Biography | Business Book | Current Events Affairs | History | Lifestyle | Memoir | Money Finance | Narrative Nonfiction | Pop Culture | Travel | True Crime |
Biography
Roger Freet is a literary agent with Folio Literary Management. He represents a wide variety of narrative and idea-driven nonfiction clients in the areas of religion/spirituality, history, politics, self-help/inspiration, business, memoir, and cultural issues by leading scholars, journalists, business leaders, activists and musicians. A seasoned content creator and project manager, he delights in partnering with clients to develop and expand their mission and message in order to reach the widest possible audience.
Roger was an agent at Foundry Literary + Media for five years before joining the Folio team in 2020. Prior to becoming an agent, Roger served as an Executive Editor for a decade at HarperOne, an imprint of HarperCollins Publishers. In advance of joining the editorial team at Harper, he was the Associate Director of Marketing and Publicity (from 1999-2004) where he ran bestselling campaigns across the full spectrum of the HarperOne list. RogerÕs works with bestselling and award-winning authors Bart Ehrman, Diana Butler Bass, James Martin, Paul Stanley, Adam Hamilton, Robert Jones, Amy-Jill Levine, Brian McLaren, Kute Blackson, Jack Jenkins, Alexis Wichowski, Gianno Caldwell, Robin Meyers, William Rosenau, John & Colleen Darnell, Paula Stone Williams, John Philip Newell, and other leading voices.
Roger holds a Masters of Divinity degree from Princeton Theological Seminary, a Business/Economics degree from Westmont College, and is a graduate of the Stanford University Professional Publishing Course. He began his publishing career in 1997 as an envelope-stuffing intern in the publicity department at Princeton University Press.
A jazz drummer by training, Roger has played with a variety of jazz, rock and funk groups over the years and is still active in several music projects (acoustic and digital). Publishing the occasional rock star helps perpetuate the satisfying delusion that Roger still has a glorious music career ahead of him.
Notes
CLOSED to Submissions | General Nonfiction | Business Book | Cultural Social Issues | Education | History | Inspirational Nonfiction | Journalism | Memoir | Music | Narrative Nonfiction | Parenting | Politics | Religion | Science | Self-Help | Spirituality | Technology |
Biography
Stephanie Fretwell-Hill is a literary agent with Red Fox Literary. Stephanie started her publishing career in 2004 at Walker Books Ltd. in London, where she sold foreign language rights.
In 2011, she moved back home to Atlanta, where she spent four years at Peachtree Publishers as an editor. During her time there, her acquisitions received such honors as YALSA Best Fiction for Young Adults, Bank Street Best ChildrenÕs Books of the Year, ParentsÕ Choice Awards, and starred reviews from major trade magazines.
Stephanie joined Red Fox Literary in 2016. She represents authors and illustrators of literary fiction and narrative nonfiction picture books and middle grade. Her clients include New York Times bestselling author Kelly DiPucchio, Paddington Bear illustrator R. W. Alley, Carolyn Crimi, Donna Gephart, Drew Beckmeyer, and Archana Sreenivasan. The books she represents have won numerous awards, including Newbery Honor, Sibert Honor, the Jane Addams Book Award, the Youth Book Prize for Social Justice, YALSA Award for Excellence in Nonfiction, and many starred reviews. StephanieÕs tastes are eclectic, but across all genres she looks for compelling, diverse voices and strong hooks combined with literary merit and classroom value. Most of all, she loves stories and art with the perfect mix of humor and heart.
Stephanie lives in Asheville, NC with her polymath husband, two feisty girls, and one perfect border collie. When she isnÕt working, she can often be found hiking, sewing, playing the ukulele, or hanging out at the playground.
Notes
CLOSED to Submissions |Picture Book | Chapter Book | Juvenile Nonfiction | Middle Grade Fiction | Middle Grade Nonfiction | Young Adult Fiction | Young Adult Nonfiction | Graphic Novel |
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Directory Instructions
Use the drop-down menu on the left to search for agents by genre, gender, location, longevity, or AAR Status. To find a specific agent or agency, enter the agent’s name or the name of the agency into the search box.
Important: If you use the search box, you must remove the search term by pressing the “Clear Search” link before you look for more agents using the drop-down menu (or you won’t see the proper results). Click on the “Show Notes” and “Show Bio” links underneath each agent for more information about that agent.
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About Mark Malatesta
MARK MALATESTA is a former literary agent turned author coach. Mark now helps authors of all genres (fiction, nonfiction, and children’s books) get top literary agents, publishers, and book deals through his company Literary Agent Undercover and The Bestselling Author. Mark’s authors have gotten six-figure book deals, been on the NYT bestseller list, and published with houses such as Random House, Scholastic, and Thomas Nelson. Click here to learn more about Mark Malatesta and click here for Reviews of Mark Malatesta.
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Author Coaching Testimonials
“Mark, finding you has been both a treat and a treasure—I just signed a contract with my new literary agent!
My career has spanned publishing, TV, and feature film. I’ve served as Creative Dir. for the Magazine Group, TIME Inc.; Dir. of Time World News Service, a Founding Dir. of TIME-Life Films; Exec. Prod. for both the CBS and NBC TV Networks; Prod./Dir.: Movies of the Week: CBS Cinema Center Films and Universal MCA.
In today’s publishing marketplace, agents come and go. They also very often seem to just want an easy pathway to make a buck. Many authors are let go by their agents because their last book didn’t do well enough and the agent doesn’t want to devote the time to help the author. That’s not what you’re about Mark. Even established authors need this type of support in today’s marketplace.”
Author of ten fiction and nonfiction books
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“I’m psyched to have this be official. After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6-figure book deal with Penguin!
Getting multiple agents interested in my work was really important to me. I’ve dealt with agents before and gotten screwed on things contractually so I wanted to do it differently this time. I wanted choices.
Having you help me create that, and navigate my options, was really helpful. I heard other authors talk about their great relationships with their agents and it made me want the same thing. Now I have that.”
Author of Woman on Fire
(Penguin Books)
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“After sending out the query Mark revised for me, I had the opportunity to speak with literary agents from top agencies such as Janklow & Nesbit, Trident Media, Anderson Lit, and Folio. I signed with Don Fehr at Trident and, a short time later I had a publishing contract with Berkley Books, which recently published my book in hardcover.
Before that, I sent my query letter out on my own to 30 or 40 agents and got a lot of rejections. I then found Mark online while I was researching agents. I was surprised that he offered so much during his initial consultation—for a very modest amount of money.
I don’t know what would have happened if I hadn’t worked with Mark. I can’t even imagine that now though, because of the grief and detours I experienced before we worked together. It was a time-consuming pain in the neck. If you want to get the attention of top literary agents and publishers, there is no substitute for working with an insider. You can’t beat experience. And having Mark on your side is incredibly valuable.”
Author of Single Handed
(Berkley Books, a Division of Penguin Random House)
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“AHHH! OMG, it happened! I got three offers of representation for my children’s picture book in the United States, even though I live abroad! When I woke up and found the first offer for representation in my email in box, I wanted to scream. But my family was still asleep so I couldn’t. 🙂
Just 8 minutes after I sent a query letter to one of my favorite agents, she replied and asked to see my manuscript. A short time later we had a lovely conversation. She was interested in representing me and sounded very positive and enthusiastic about my book. Since I also got offers from two other agents, I had to turn two of them down. One of them was upset and it felt like I was breaking her heart, but you just have to do it. I kept reminding myself that this is a good problem to have!”
Author/Illustrator of Lon-Lon’s Big Night
and many other children’s books
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“Mark, after you helped me land a top literary agent, I got publishing offers from THREE well-known publishers: Amacom, Palgrave Macmillan, and McGraw-Hill (they’re publishing my book in hardcover)!
I was at Disneyworld with my family, in the Haunted Mansion, when I got the call. I went outside and listened to the voicemail message from my agent. A huge smile came over my face. It was a fantastic feeling. For a moment I felt like life was perfect and the angels were singing.
You’re filling an important need so I’ll say this to every other author reading this testimonial. Mark showed me that getting a top literary agent is a science. If you’ve written a book, or you’re in the process, you’ve already invested a lot—a lot more than money. Don’t stop yourself from getting out there to fulfill your purpose and dreams. Thank you so, so much, Mark!!!”
Author of Customer Focused Process Innovation (McGraw Hill)
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“I got a book deal! After I started sending out my new query letter I had 6 literary agents request my manuscript in a short amount of time, which is awesome. Then, within 2 weeks of my agent starting to pitch my story to publishers, we had an offer. I signed a book contract yesterday. A little while later my agent told me that a TV co-producer asked for more info about my book.
By the way, the acquiring editor that fell in love with the manuscript jumped in with both feet and we just worked out our timeline for publication. She’s as passionate about getting my book out as I am, and that means everything. She read the manuscript in two days and said she couldn’t put it down. And the book is going to be published as a hardcover!”
Author of A Chick in the Cockpit
(Behler Publications)
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“Thank you Mark! After you helped me get a well-known agent with Hartline Literary Agency (for my previously self-published murder mystery), he got me a deal with an American Christian Fiction Writers (ACFW) approved publisher. I’m hard-pressed to find anything that I had an expectation for that you didn’t deliver on.
Before I worked with you I sent out queries, but no one ever requested my complete manuscript. Comparing your new version of my query to the one I wrote before, I can see a vast difference.
I’ve been in business for 35 years so I’m not just saying this… what you’re doing is phenomenal. There are other people offering similar services, but the difference is your success. Others might say they do similar things but, if you research them, they don’t have your background or track record.”
Author of The Rector
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“Mark, you’re a miracle worker. Thanks to your help with my book, query letter, and synopsis… I now have a legitimate publisher who described my book as ‘Powerful Magic’ and it’s now available in bookstores and online!
I’m a lifelong academic writer who one day found myself writing inspired short stories that came to me in dreams and I began thinking of them as novels. That’s when I had a momentous conversation, an introductory coaching call with Mark Malatesta, the American creative writing coach, or rather, to be precise, a how-to-sell-yourself-and-your-work adviser. It was the best-spent money of my life apart (possibly) for my wedding ring.”
Author of The Black Inked Pearl
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“Within 4 minutes of sending out my query letter, a top literary called me on the phone (the #1 agent on my wish list). Less than 30 days later I had three major publishers making offers. A few days after that, I signed a deal with Random House. Mark, your query letter did that.
My agent talked about the query letter you helped me create for a long, long time. When he first called me on the phone, he hadn’t seen any of my sample chapters. It was just the query letter that did it. Communicating the right thing is so important. You are a wonderful medium helping authors find their voice and elevate their writing from just a hobby to a real business… a source from which they can both learn and earn.”
Author of Lights Out
(Random House)
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“MARK, MARK, MARK!!!!!!! Holy smokes… I just signed my book deal. First, two well-known literary agents asked to represent me. One of them responded to my query letter in less than 4 minutes!!
Then THREE different publishers wanted my book and started talking about making offers. The publisher I chose is perfect for me because they produce titles for the trade, educational, and scientific markets. And they agreed to publish my book as a hardcover!!!
When I met you, Mark, it was a pivotal time. I was under the belief that I could self-publish my book with a vanity press and then seek a publisher. I didn’t know what a literary agent was, why I needed one, or how to get one. I was wandering in the dark. You guided me in the right direction and gave me a solid plan.”
Author of Intestinal Health
(Rowman & Littlefield)
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“Boom!!! I just signed a contract with Thomas Nelson/Harper Collins for (what I’ve been told by several people) is a very large advance for a first-time author.
Before working with Mark I submitted my book to agents but didn’t get any interest. This time around I got a top NY literary agency (Fine Print Lit). What cloud is higher than 9?
I had several agencies interested before deciding to go with Fine Print. And, to be honest, all of the attention didn’t surprise me. The query letter and proposal that Mark helped me develop were incredible. Agents actually said things to me like: ‘Scott, I read your proposal and I’m just blown away by it!’ Mark is extremely talented at what he does. If you have the opportunity to work with him, take advantage of it.”
Author of The Unbreakable Boy
(Harper Collins/Thomas Nelson)