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The Directory of Literary Agents
7 Insider Secrets to Get a Top Agent, Publisher, and Book Deal (65 minutes)
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Literary Agent Directory
Important: Visit each agent’s website (links in their listings below) to see if they’re open to submissions before querying.
Catherine Fowler Redwood Agency Query method(s): Email *Work 474 Wellesley Ave. Mill Valley CA 94941 USAwork Work Email: email@example.comINTERNET
|Show Notes | Show Bio||https://www.publishersmarketplace.com/dealmakers/ | Show Map ||
This literary agent represents:
FICTION: Chick Lit * General Fiction * Literary * Mainstream * Suspense * Women’s Fiction *
NONFICTION: Autobiography * Biography * Business * Celebrity * Cooking/Cookbook * Cultural/Social Issues * Dating/Relationship/Sex * Design * Diet/Nutrition * Environment * Family * Film/Entertainment * Fitness * Food/Drinks * Gardening * General Nonfiction * Gift/Novelty * Health/Wellness * History * How-To * Humor * Lifestyle * Medical/Medicine * Memoir * Military/War * Money/Finance * Music * Narrative * Nature * Parenting/Child Guidance * Photography * Pop Culture * Psychology * Reference * Religion * Self-Help/Personal Development * Spirituality * Technology * Travel * Women’s Issues *
Catherine Fowler is a literary agent with the Redwood Agency. Catherine has more than 20 years of experience in book and Internet publishing having worked for such prestigious companies as Random House, Simon & Schuster, Doubleday, Excite and WebMD. With the inception of Redwood Agency, Fowler is focusing on the core of her expertise: the development of informative and fun products, working with talented writers and editors, and negotiating contracts.
Redwood Agency’s mission is to develop and represent innovative, high-quality nonfiction works for the general consumer market. Representing series of titles as well as single works, Redwood will consider many marketable categories including: health, self-help, popular culture, cooking, gardening, parenting, relationships, travel, home care and design, general reference, humor, photography and cultural technology.
Catherine Fowler spent 14 years working for top New York Publishing houses including Doubleday, Simon & Schuster and Random House. At Doubleday she worked first in the editorial department and then in subsidiary rights where she sold and negotiated right deals for the entire Doubleday list including works by: Isaac Asimov, Bill Cosby, O. Henry, Barbara Taylor Bradford, and Stephen King.
In 1986 she joined the then newly formed Prentice Hall trade division where she built a new department and managed all the rights sales to their prestigious non-fiction lines and titles including: Webster’s New World Dictionaries, The New York Public Library Desk Reference series, Frommer’s travel, Betty Crocker cookbooks, Brady Computer Books. With Brady Computer books her department increased the book club and foreign sales tenfold and certain titles were translated into more than 15 languages. It was at Prentice Hall that she formed the first department at a major book company devoted to pioneering electronic publishing opportunities for traditional publishers with software and online companies. She forged groundbreaking alliances and agreements with the early leaders of the online and CD-ROM business including Sony, Prodigy, Worldview (a.k.a. Travelocity), and The Software Toolworks (a.k.a. Headlands Media).
At Random House, Fowler took on the dual role of associate publisher of the Reference and Electronic Publishing division and for electronic projects company wide. She managed the editorial and production team for Random House dictionaries, encyclopedias and other general reference works and published the first electronic versions of many of those works. She also published the first volume of the Dictionary of American Slang, The Word Menu, and The New York Roadrunners Club Book of Running among other titles. Innovative and groundbreaking electronic projects included the Random House Unabridged Dictionary on CD-ROM, the National Audubon multimedia series, Jurassic Park e-book, many different electronic versions of Fodor’s travel information and the first electronic versions of multiple titles from the Modern Library.
After relocating to California in 1994, she expanded her expertise in the fast-paced world of Internet publishing through her executive positions at Excite and WebMD. During these years Fowler was extensively involved in making publishing decisions, senior management challenges inherent in start-up companies, buying and selling rights to literary works, and negotiating a myriad of new media publishing agreements.
474 Wellesley Ave. Mill Valley CA 94941 USA
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Author Coaching Testimonials
“Mark, finding you has been both a treat and a treasure—I just signed a contract with my new literary agent!
My career has spanned publishing, TV, and feature film. I’ve served as Creative Dir. for the Magazine Group, TIME Inc.; Dir. of Time World News Service, a Founding Dir. of TIME-Life Films; Exec. Prod. for both the CBS and NBC TV Networks; Prod./Dir.: Movies of the Week: CBS Cinema Center Films and Universal MCA.
In today’s publishing marketplace, agents come and go. They also very often seem to just want an easy pathway to make a buck. Many authors are let go by their agents because their last book didn’t do well enough and the agent doesn’t want to devote the time to help the author. That’s not what you’re about Mark. Even established authors need this type of support in today’s marketplace.”
Author of ten fiction and nonfiction books
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“I’m psyched to have this be official. After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6-figure book deal with Penguin!
Getting multiple agents interested in my work was really important to me. I’ve dealt with agents before and gotten screwed on things contractually so I wanted to do it differently this time. I wanted choices.
Having you help me create that, and navigate my options, was really helpful. I heard other authors talk about their great relationships with their agents and it made me want the same thing. Now I have that.”
Author of Woman on Fire (Penguin Books)
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“After sending out the query Mark revised for me, I had the opportunity to speak with literary agents from top agencies such as Janklow & Nesbit, Trident Media, Anderson Lit, and Folio. I signed with Don Fehr at Trident and, a short time later I had a publishing contract with Berkley Books, which recently published my book in hardcover.
Before that, I sent my query letter out on my own to 30 or 40 agents and got a lot of rejections. I then found Mark online while I was researching agents. I was surprised that he offered so much during his initial consultation—for a very modest amount of money.
I don’t know what would have happened if I hadn’t worked with Mark. I can’t even imagine that now though, because of the grief and detours I experienced before we worked together. It was a time-consuming pain in the neck. If you want to get the attention of top literary agents and publishers, there is no substitute for working with an insider. You can’t beat experience. And having Mark on your side is incredibly valuable.”
Author of Single Handed
(Berkley Books, a Division of Penguin Random House)
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“AHHH! OMG, it happened! I got three offers of representation for my children’s picture book in the United States, even though I live abroad! When I woke up and found the first offer for representation in my email in box, I wanted to scream. But my family was still asleep so I couldn’t. 🙂
Just 8 minutes after I sent a query letter to one of my favorite agents, she replied and asked to see my manuscript. A short time later we had a lovely conversation. She was interested in representing me and sounded very positive and enthusiastic about my book. Since I also got offers from two other agents, I had to turn two of them down. One of them was upset and it felt like I was breaking her heart, but you just have to do it. I kept reminding myself that this is a good problem to have!”
Author/Illustrator of Lon-Lon’s Big Night
and many other children’s books
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“Mark, after you helped me land a top literary agent, I got publishing offers from THREE well-known publishers: Amacom, Palgrave Macmillan, and McGraw-Hill (they’re publishing my book in hardcover)!
I was at Disneyworld with my family, in the Haunted Mansion, when I got the call. I went outside and listened to the voicemail message from my agent. A huge smile came over my face. It was a fantastic feeling. For a moment I felt like life was perfect and the angels were singing.
You’re filling an important need so I’ll say this to every other author reading this testimonial. Mark showed me that getting a top literary agent is a science. If you’ve written a book, or you’re in the process, you’ve already invested a lot—a lot more than money. Don’t stop yourself from getting out there to fulfill your purpose and dreams. Thank you so, so much, Mark!!!”
Author of Customer Focused Process Innovation (McGraw Hill)
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“I got a book deal! After I started sending out my new query letter I had 6 literary agents request my manuscript in a short amount of time, which is awesome. Then, within 2 weeks of my agent starting to pitch my story to publishers, we had an offer. I signed a book contract yesterday. A little while later my agent told me that a TV co-producer asked for more info about my book.
By the way, the acquiring editor that fell in love with the manuscript jumped in with both feet and we just worked out our timeline for publication. She’s as passionate about getting my book out as I am, and that means everything. She read the manuscript in two days and said she couldn’t put it down. And the book is going to be published as a hardcover!”
Author of A Chick in the Cockpit
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“Thank you Mark! After you helped me get a well-known agent with Hartline Literary Agency (for my previously self-published murder mystery), he got me a deal with an American Christian Fiction Writers (ACFW) approved publisher. I’m hard-pressed to find anything that I had an expectation for that you didn’t deliver on.
Before I worked with you I sent out queries, but no one ever requested my complete manuscript. Comparing your new version of my query to the one I wrote before, I can see a vast difference.
I’ve been in business for 35 years so I’m not just saying this… what you’re doing is phenomenal. There are other people offering similar services, but the difference is your success. Others might say they do similar things but, if you research them, they don’t have your background or track record.”
Author of The Rector
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“Mark, you’re a miracle worker. Thanks to your help with my book, query letter, and synopsis… I now have a legitimate publisher who described my book as ‘Powerful Magic’ and it’s now available in bookstores and online!
I’m a lifelong academic writer who one day found myself writing inspired short stories that came to me in dreams and I began thinking of them as novels. That’s when I had a momentous conversation, an introductory coaching call with Mark Malatesta, the American creative writing coach, or rather, to be precise, a how-to-sell-yourself-and-your-work adviser. It was the best-spent money of my life apart (possibly) for my wedding ring.”
Author of The Black Inked Pearl
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“Within 4 minutes of sending out my query letter, a top literary called me on the phone (the #1 agent on my wish list). Less than 30 days later I had three major publishers making offers. A few days after that, I signed a deal with Random House. Mark, your query letter did that.
My agent talked about the query letter you helped me create for a long, long time. When he first called me on the phone, he hadn’t seen any of my sample chapters. It was just the query letter that did it. Communicating the right thing is so important. You are a wonderful medium helping authors find their voice and elevate their writing from just a hobby to a real business… a source from which they can both learn and earn.”
Author of Lights Out (Random House)
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“MARK, MARK, MARK!!!!!!! Holy smokes… I just signed my book deal. First, two well-known literary agents asked to represent me. One of them responded to my query letter in less than 4 minutes!!
Then THREE different publishers wanted my book and started talking about making offers. The publisher I chose is perfect for me because they produce titles for the trade, educational, and scientific markets. And they agreed to publish my book as a hardcover!!!
When I met you, Mark, it was a pivotal time. I was under the belief that I could self-publish my book with a vanity press and then seek a publisher. I didn’t know what a literary agent was, why I needed one, or how to get one. I was wandering in the dark. You guided me in the right direction and gave me a solid plan.”
Author of Intestinal Health (Rowman & Littlefield)
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“Boom!!! I just signed a contract with Thomas Nelson/Harper Collins for (what I’ve been told by several people) is a very large advance for a first-time author.
Before working with Mark I submitted my book to agents but didn’t get any interest. This time around I got a top NY literary agency (Fine Print Lit). What cloud is higher than 9?
I had several agencies interested before deciding to go with Fine Print. And, to be honest, all of the attention didn’t surprise me. The query letter and proposal that Mark helped me develop were incredible. Agents actually said things to me like: ‘Scott, I read your proposal and I’m just blown away by it!’ Mark is extremely talented at what he does. If you have the opportunity to work with him, take advantage of it.”
Author of The Unbreakable Boy
(Harper Collins/Thomas Nelson)